Collection of essays published in Flash Art Magazine from it's inception in 1969 to 1989. Edited by Giancarlo Politi and Helena Kontova. Essays by Giancarlo Politi, Helena Kontova, Germano Celant, Piero Gilardi, Robert Smithson, Jean Baudrillard , Donald Karshan, Charles Harrison, Agnes Martin, Ann Wilson, Rosetta Brooks, Barbara Radice, François Pluchart, Charles Dreyfus, Peter Gorsen, Douglas Crimp, Thomas Lawson, David Salle, Carrie Rickey, Achille Bonito Oliva, Jeffrey Deitch, Annelie Pohlen, Ernst Busche, Sherrie Levine, Paul Groot, Nicolas A. ... [details]
Overview of artists' books with essays by Uwe Koch, Sabine Roeder, Dorothea Klein, Klaus Pohl, and Melitta Kliege. Documents books by Werner Bttner, Albert Oehlen, Georg Herold, Hans-Peter Feldmann, Barbara Bloom, Sophie Calle, Fischli & Weiss, Gelatin, Damien Hirst, Richard Prince, Mike Kelley, Ida Applebroog and Heimo Zobernig. ... [details]
Exhibition catalogue published in conjunction with show held from November 26, 1993 - February 20, 1994. Includes texts by Harold Szeemann, Franz van der Grinten, Heiner Bastian, Götz Adriani, Tobia Bezzola, Marietta Franke, Antje von Graevenitz, Dieter Koepplin, Mario Kramer, Cecilia Liveriero Lavelli, Reiner Speck, Klaus Staeck, Johannes Stüttgen, Gerhard Theewen, Kirsten Claudia Voigt, Fabrice Hergott, Marion Hohlfeldt, Doris Leutgeb, Veit Loers, Juri Steiner, Laura Arici, Marc Boehlen, Beat Christoph Graber, Roman Kurzmeyer, Christa-Maria Lerm, Alois Martin Müller, Klaus-Dieter Pohl, Uwe M. ... [details]
Over-sized exhibition catalog published in conjunction with a presentation by the Friends of the Busch-Reisinger Museum to Arend Oetker, May 2003. Essays by Klaus Gallwitz, Lisa Saltzman and Laura Muir. ... [details]
Issue edited by Ingrid Sischy. "On Gregory Battcock," by Douglas Davis; "Dorothea Rockburne's 'Egyptian Paintings,'" by Kenneth Baker; "Last Call at Max's," by Bruce Kurtz; "Not All Chairs Are Equal," by John Perreault; "From Walker Evans to Robert Frank: A Legacy Received, Embraced and Transformed," by Tod Papageorge; "Signs," by Dan Graham; "Facing Paint: Michael Tetherow's Recent Work," by Klaus Kertess; "Cold Turkey: 'A New Spirit in Painting' at the Royal Academy of Arts, London," by Stuart Morgan; "Curatorial Conceptions; The Hirshhorn: Danger, Curves Ahead; The Whitney's Latest Sampler; The Guggenheim: Singular Pluralism," by Carrie Rickey. ... [details]
Issue edited by Ingrid Sischy. Essays "Post-Performance," by Douglas Davis; "Last Exit: Painting," by Thomas Lawson; "Paul Thek: Real Misunderstanding," by Richard Flood; "Painting Metaphorically: The Recent Work of Gary Stephan, Stephen Mueller, and Bill Jensen," by Klaus Kertess; "A Project," by Sol LeWitt; "Cashing in a Wolf Ticket (Activist Art and Fort Apache: The Bronx)," by Jerry Kearns and Lucy R. ... [details]
Issue edited by Ingrid Sischy. Essays "David Bowie's Survival," by Carter Ratcliff; "Biographical Notes on a Metaphysical Argonaut - Alberto Savinio," by Maurizio Fagiolo dell'Arco; "'I'm Really Scared When I Kill in My Dreams,' (from a lyric by Glenn Branca)," by Kim Gordon; "Barry Le Va's Sculpture: Ellipsis and Ellipse," by Klaus Kertess, a project by Barry Le Va; "The 20th New York Film Festival: Virtue and Vice on 65th Street," by Barbara Kruger; "The 20th New York Film Festival: A Penny for the Peep Show," by Gary Indiana; "Books: Kathy Acker on Hans Magnus Enzensberger's 'Critical Essays,'" by Kathy Acker; "The Appearance of the Zeitgeist," by Wolfgang Max Faust. ... [details]
Issue edited by Ingrid Sischy. Essays "Robert Cumming's Subject Object," by Charles Hagen; "Unpopular Culture (Travels in Kienholzland)," by Carrie Rickey; "A Project," by Nancy Graves; "Carroll Dunham: Painting Against the Grain - Painting with the Grain," by Klaus Kertess; "Getting Ready for the Golden Eighties: A Conversation with Chantal Akerman," by Gary Indiana; "Art in the Dark," by Thomas McEvilley; "A Fvnny Thing Happened on the Way to the Forvm (In the Name of Love)," by Duncan Smith. ... [details]
Issue edited by Ingrid Sischy. Essays "A Note Concerning Francis Picabia," by Harald Szeemann; "Imagining Nowhere: Richard Tuttle's 'Monkey's Recovery,'" by Klaus Kertess; "Breaking the Contract: A Conversation with Peter Greenaway," by Stuart Morgan; "Triple Entendre," a project by General Idea; "Enchantment and Revolution - Joan Miró," by Roland Penrose; "Jack Goldstein: The Trace of Absence," by Jean Fisher; "Vija Celmins: Drawings without Withdrawing," by Kenneth Baker; "Susan Sontag's Unguided Tour," by Gary Indiana; "'Books': Frederic Tuten on 'Ranxerox,'" by Frederic Tuten; "Gulliver Speaks," by Greil Marcus; "Forum," by John Howell and Lisa Liebmann. ... [details]
Issue edited by Ingrid Sischy. Essays "Breaking the Box: The Electronic Operas of Robert Ashley and Woody Vasulka," by Charles Hagen; "Inside Out," photographs by Peter Campus; "Child's Play: The Late Work of Elie Nadelman," by Klaus Kertess; "Andy Warhol: Inflation Artist," by Carter Ratcliff; "Cosmic Visions from North and South," by Annelie Pohlen; "Bread and Circuses," by Stuart Morgan; "Books: Greil Marcus on 'Our Lives and Our Children,'" by Greil Marcus; "Books: Frederic Tuten on 'The Innocent Eye,'" by Frederic Tuten; "Short Cut, Fast Lane," by Greil Marcus; "Forum: What a Legend Becomes," by John Howell. ... [details]