Exhibition catalogue published in conjunction with show held jointly at Kent Fine Art and Curt Marcus Gallery, New York, November 17 - December 31, 1987. Curated and with an essay by Douglas Blau. Artists include Troy Brauntuch, Ralph Albert Blakelock, Thomas Moran, Charles Wilson Peale, Johannes Vermeer, William Merritt Chase, Randy Dudley, Chesley Bonestell, Norman Rockwell, John Bowman, Thornton Oakley, Caspar David Friedrich, James Abbott McNeill Whistler, Cindy Sherman, Hans W. ... [details]
Fall 1987 issue of Journal. "This issue of JOURNAL is a collaborative effort between thirteen contributing editors representing ten cities of nations in the United States and Western Europe. The works appearing in this issue were chosen by the contributing editors. ... [details]
Artist's publication / exhibition catalogue published in conjunction with show held July 8 - August 19, 1989. Organized by Jeff Beall and Tony Greene. Includes multi-page artists projects by Benjamin Weissman, Jan Tumlir, Mitchell Syrop, Amy Gerstler, and Richard Hawkins. ... [details]
"Why Are 100 Artists' Spaces Like a Burlap Bag Full of Bobcats? Tacit" by Steven Durland, "A Report on Artspaces Ill" by Janet (McCambridge) Ventura, "Kerouac Is Alive! The Jack Kerouac Festival at Naropa" by Lewis MacAdams, "Performance Art in the San Francisco International Theater Festival" by Linda Burnham, "Fire Dancers and Fibre Optics : Belgium's Banlieue" by Mark Dery, "The Law and The Power : Illegal performance discussed by Lewis MacAdams," "Sitting on Moving Steel "by Michael Ventura, "American Splendor," by Harvey Pekar, "Somebody Being Somebody" by Diane Gage and Constance Rawlings, NEW YORK SECTION : ARTSPACES : "Franklin Furnace : Linda Burnham interviews Martha Wilson and Bill Gordh," "The Kitchen : HIGH PERFORMANCE interviews Howard Halle," "A's" by Arleen Schloss and Linda Burnham, DOCUMENTS : N. ... [details]
All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. ... [details]
Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. ... [details]
Issue number 2 of Spectacle Magazine, edited by Kathi Norklun. Contents include: "Letters;" "Run That by Me Again," by Kathi Norklun; "'Emblem,' an Exhibition," by Cam Slocum; "Elizabeth Bryant;" "from 'Natural Genre,' an exhibition," by Tricia Collins and Richard Milazzo; "Propositions of Art Criticism," by Sanda Agalidi; "Connie Fitzsimons;" "Mark Gash;" "Contemporary Psycho-styles," by Bruce D. ... [details]
May 1974 issue of Studio International edited by Peter Townsend. Contents include: "The Complete Artist," by John McEwen; "2 Fisherman: 1. An Appreciation of C.M. Wells," by J.W. Chance and "2. Ivan Marks: fishing as a profession;" "Correspondence;" "Acanthonemus Lubaurus Fossil;" "The Fish as a Symbol," by Cara Montgomery; "Multiple Exercise," by William Allan; "Sea Grant second narrative and two precedent works," by Newton Harrison; "Char and char fishing," by Geoffrey White; "Feuilleton," by Marcel Broodthaers; "The paintings of Joseph Raffael," by William S. ... [details]
An impressive book in which Seth Siegelaub reconnects with artists he engaged with in the late 1960s within the exhibition March 1969 as well as within the exhibitions Op Losse Schroeven, Live in Your Head, When Attitudes Become Form, Konzeption Conception, and Prospekt 69. ... [details]
Collaborative artists' book edited by Aleksandra Mir and Tim Griffin, with contributions by 150 artists. "Bad reviews of 150 artists who submitted their worst reviews for reprint. Beginning in the 1960s and including translations from thirteen languages, this collaborative project makes for the broadest historical and geographical survey of severe Art Criticism, its shifting form, nature, and impact, by those directly subjected to it--the artists. ... [details]