Inaugural issue of Wrong Times, a three issue annual published (2004-2006) by The Wrong Gallery. Edited by Maurizio Cattelan, Massimiliano Gioni, and Ali Subotnick. Contents include "Martin Creed: Twenty Questions by Corinna Durland," "Absolute Beginners, , Phil Collins Interviewed by Maurizio Cattelan," "E-Mails with Paul McCarthy and Jason Rhoades," "Giving & Getting, Lawrence Weiner Interviewed by Ali Subotnick," "Elizabeth Peyton in Conversation with Marc Jacobs," "Interested in Signs, Sam Durant in Conversation with Karin Higa," "I Was Here! Between Destruction and Discovery, Pawel Althamer in Conversation with Sarah Cosulich Canarutto," "Iza Genzken in Conversation with Wolfgang Tillmans," "How Many Angels Can You Fit on the Head of a Pin, and Other Riddles of Art and Physics. ... [details]
Artists' book published to accompany Matt Keegan's "Americamerica" project. "In early 2008, New York artist Matt Keegan undertook a journey that loosely followed the 1986 Hands Across America route. He took casts of thirteen mayors across the way, and as he traced a physical connection between New York and Los Angeles, he began to draw other connections between 2008 and 1986, particularly between the Reagan and Bush Administrations. ... [details]
Catalogue published in conjunction with Creative Time's public project, "Democracy in America : The National Campaign", New York, NY, September 2008. Includes essays by Anne Pasternak, Nato Thompson, Yates McKee, Group Material and Daniel Tucker; interviews with Trevor Paglen, Steve Kurtz, Ayreen Anastas and Rene Gabri. ... [details]
Artists' book edited by James Hoff -- a recompilation of Artforum magazine's monthly Top Ten column written by a rotating cast of artists, scholars, actors and other superstars from 1998 to 2008. Comprised of direct copies of the author's pages from the magazine coupled with black boxes representing the supporting images. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by Tim Griffin. Essays "Passages: Hannah Feldman on Raymond Hains and Arman," by Hannah Feldman; "Passages: Justin Spring on Ismail Merchant," by Justin Spring; "Books: Yve-Alain Bois on the Russian Avant-garde," by Yve-Alain Bois; "Film: J. ... [details]
Exhibition catalogue / artist's book published in conjunction with Matt Keegan's project "How to Make a Portrait," for the Bulletin Board at White Columns, held May 5 - June 10, 2006. [details]