Double sided postcard / announcement published in conjunction with show held May 22 - June 22, 1991. [details]
Exhibition catalogue published in conjunction with show held November 3, 2007 - March 29, 2008. Texts by Ingvild Goetz, Stephan Urbaschek, Domenika Szope, Karsten Löckemann, Brandon Stosuy and Katharina Vossenkuhl. ... [details]
Complete set of five cloth field emblem patches, and a 10 pack of stickers (featuring the images of the five field emblem symbols), designed by Mathew Barney and published in conjunction with show "Matthew Barney: The Cremaster Cycle," held February 21 – June 11, 2003. ... [details]
10 pack of stickers featuring the images of the five field emblem symbols designed by Matthew Barney published in conjunction with show "Matthew Barney: The Cremaster Cycle," held February 21 – June 11, 2003. ... [details]
Complete set of five cloth field emblem patches designed by Matthew Barney published in conjunction with show "Matthew Barney: The Cremaster Cycle," held February 21 – June 11, 2003. Each symbol corresponds to a chapter of the cycle: CREMASTER 1, a Goodyear boot with wings; CREMASTER 2, flags and beehive with the dates 1893-1977; CREMASTER 3, eagles and the Chrysler building; CREMASTER 4, three legs without bodies; and CREMASTER 5, a black fleur-de-lis. [details]
One of five cloth field emblem patches designed by Matthew Barney published in conjunction with show "Matthew Barney: The Cremaster Cycle," held February 21 – June 11, 2003, emblematic of Cremaster 5. [details]
Cremaster 3, the last in Matthew Barney's epic five-part film project, is part zombie, part gangster film. Set in 1930s New York and Saratoga Springs as well as Giant's Causeway in Northern Ireland, the plot explores the Irish mob system, freemasonry, and Celtic lore as further symbols for the forces at play in "Barney's mythological system. ... [details]
Double sided announcement card for film showing held at Film Forum, October 22 - November 4, [1997] and exhibition held at Barbara Gladstone Gallery, October 25 - December 20, [1997]. Cremaster 5 logo on recto and typography on verso with line drawing of Cremaster logo. ... [details]
Issue edited by Bice Curiger. Essays "William Forsythe: Where Balance is Lost and the Unfinished Begins," by Heidi Gilpin; "Geoff Lowe and Tower Hill," by Robyn McKenzie; "Matthew Barney's Gonadotrophic Cavalcade," by Norman Bryson; "Mannerist Variations on Matthew Barney," by Michel Onfray; "Matthew Barney and Beyond," by Keith Seward; "Matthew Barney 95: Suspension, Secretion, Secret," by Thyrza Nichols Goodeve; "She Gives as Good as She Gets," by Jerry Saltz; "Where Does It All End?," "A Conversation with Sarah Lucas," by Jan van Adrichem; "The Fine Line Between This and That," by Collier Schorr; "Bollocks," by Carl Freedman; "Roman Signer: Prometheus's Delay," by Jean-Yves Jouannais; "Roman Signer's Sculptural Events," by Konrad Bitterli; "Sculptural Laboratory Experiments," by Christoph Doswald; "Rupture or Continuity," by Pia Viewing; "Action With a Fuse: Modifying the Denotation of Detonation," by Max Wechsler; "In Sachen Roman Signer," by Colin Deland; "It's Not Just an Image," by Michael Tarantino; "Cumulus Europa," by Thomas McEvilley; "Cumulus from America," by Neville Wakefield; "Garderobe," by unattributed artists. ... [details]
Monograph on the work held in the Refco Collection of Contemporary Photography. Organized by Adam Brooks. Introduction by Judith Russi Kirshner. Essay by Dave Hickey. Contributions by Lynne Cooke, Vicki Goldberg, Kathryn Hixson, A. ... [details]
