April 1989 issue of Artforum, edited by Ida Panicelli. Contents include: "Remote Control: Barbara Kruger on Television" by Barbara Kruger; "The Cave: Michele Wallace on Invisibility Blues" by Michele Wallace; "Environment: Vilem Flusser on Future Architecture" by Vilem Flusser; "Expertease: Silvia Kolbowski on Knowledge and Power" by Silvia Kolbowski; "Like Art: Glenn O'Brien on Advertising," by Glenn O'brien; "Books: Alice Yaeger Kaplan on 'Nuclear Fear,'" by Alice Yaeger Kaplan; "Signs of Light: Walker Evans' American Photographs," by Max Kozloff; "Subjectivity in Time: Kasimir Malevich," by Rainer Crone and David Moos; "Protection: A Project for Artforum," by Christian Boltanski and Annette Messager; "The Erography of Cy Twombly," by Demosthenes Davvetas; "We ? New Jersey," by Komar & Melamid; "The Passageway: A Project for Artforum," by Wolgang Laib; "Words around Warhol," by Jack Bankowsky; "Space around Warhol," by Herbert Muschamp; "The Phoenix of the Self," by John Yau; "Turning Japenese (In)," by John Welchman; "Ambitious: A project for Artforum," by Janet Zweig. ... [details]
Issue edited by Ida Panicelli. Essays "Curies Children: Vilém Flusser on Popes," by Vilém Flusser; "Special Effects: Carol Squiers on Truth Value," by Carol Squiers; "Commedia Dell'A: Homoeroticism Blues, A Project for Artfourm," by Howard Cruse; "Like Art: Glenn O'Brien on Luxury," by Glenn O'Brien; "Ground Up: Herbert Muschamp on California Archictecture," by Herbert Muschamp; "Critical Fictions: Clive Phillpot on Changing of the Garde," by Clive Phillpot; "Slant: David Frankel on a Czechered History," by David Frankel; "A Drawing Page: Untitled: A Project for Artforum," by Jim Dine; "Seeing the Scene: With 'Baptism of Solitude,' A Project for Artforum," by Karl Johnson; "Temptation," by Kenneth Baker; "Oil and Water: With 'Oil Rooms,' a project for Artforum," by Per Barclay; "The Obligatory Bed Piece: Jessica Stockholder," by Jack Bankowsky; "Critical Reflections," by Kay Larson; "A Theory of Everything: Meditations on Total Chaos," by Vivian Sobchack; "Hujar," by Max Kozloff. ... [details]
