Sculpture from the Sheldon Memorial Art Gallery

Karen O. Janovy, David Cateforis, Daniel A. Seidell, Peter Boswell, Nancy Dawson, Janice Driesbach, Lonnie Pierson Dunbier, Charles C. Eldredge, Norman A. Geske, Wendy J. Katz, Christin J. Mamiya, Ingrid A. Sepahpur, Robert Spence, Michael R. Taylor, Karen Tsujimoto, Thomas Crawford, John Quincy Adams, Frederick William MacMonnies, Auguste Rodin, Medardo Rosso, Bessie Potter Vonnoh, Augustus Saint-Gaudens, Mahonri Young, Constantin Brancusi, Daniel Chester French, Paul Manship, Elie Nadelman, John Storrs, Man Ray, Ernst Barlach, Jacques Lipchitz, Alexander Archipenko, Gaston Lachaise, Boris Lovet-Lorski, Saul Baizerman, Malvina Cornell Hoffman, Maurice Sterne, William Zorach, John B. Flannagan, Ibram Lassaw, Theodore Roszak, Alexander Calder, Barbara Hepworth, Robert Laurent, Louise Nevelson, Louise Bourgeois, David Hare, Henry Moore, Marino Marini, Jeremy Anderson, Reginald Butler, Eduardo Chillida, Kenneth Armitage, Hugo Robus, Seymour Lipton, Isamu Noguchi, Joseph Cornell, David Smith, Bruce Conner, Marcel Duchamp, Elisabeth Frink, Tony Smith, Reuben Nakian, Dan Flavin, George Rickey, William King, Charles Biederman, Donald Judd, Lyman Kipp, John McCracken, Peter Voulkos, Alvin Light, Edward Kienholz, Carl Andre, Bryan Hunt, Richard Shaw, Michael Todd, Manuel Neri, George Segal, Joel Shapiro, Larry Bell, Deborah Butterfield, Charles Ginnever, William Tucker, Mark di Suvero, Jun Kaneko, Tom Rippon, Frank Stella, Richard Stella, Richard Serra, Bruce Beasley, Scott Burton, Judith Shea, Haim Steinbach, Fletcher Benton, Tony Berlant, Michael Heizer, Claes Oldenburg, Tom Otterness, David Ireland, Catherine A. Ferguson, Anne Truitt, Joseph Havel, Martin Puryear

Catalogue of sculpture selected from the Sheldon Memorial Art Gallery at the University of Nebraska. Contributions by Karen O. Janovy, David Cateforis, Daniel A. Seidell, Peter Boswell, Nancy Dawson, Janice Driesbach, Lonnie Pierson Dunbier, Charles C. ... [details]

The Age of the Avant-Garde : An Art Chronicle of 1956 - 1972

[First Printing]

Hilton Kramer, J.M.W. Turner, Gustave Courbet, Edgar Degas, Claude Monet, Odlon Redon, Medardo Rosso, Simeon Solomon, Puvis de Chavannes, Aubrey Beardsley, Mary Cassatt, James McNeill Whistler, Lovis Corinth, Edvard Munch, Oskar Kokoschka, Egon Schiele, Lyonel Feininger, George Grosz, Emil Nolde, Ernst Ludwig Kirchner, Paul Klee, Max Beckmann, Wassily Kandinsky, Piet Mondrian, László Moholy-Nagy, Alexandr Rodchenko, Vladimir Tatlin, Oskar Schlemmer, Walter Sickert, Barbara Hepworth, Henry Moore, Jacob Epstein, Henri Matisse, Antoine Bourdelle, Edouard Vuillard, Pablo Picasso, Pierre Bonnard, Georges Braques, Juan Gris, Julio Gonzalez, Henri Laurens, Marc Chagall, Jacques Lipchitz, Chaim Soutine, Hans Arp, Joan Miró, Amedeo Modigliani, Alexander Archipenko, Marcel Duchamp, Francis Picabia, Salvador Dalí, Alberto Giacometti, Joaquin Torres-Garcia, Pierre Lachaise, Maurice Prendergast, Marsden Hartley, Arthur Dove, Alfred Maurer, Man Ray, H. Lyman Saÿen, Arnold Friedman, Charles Sheeler, John Storrs, John Graham, Edward Hopper, Saul Baizerman, Romaine Brooks, Arshile Gorky, Milton Avery, Abraham Walkowitz, David Smith, Jackson Pollock, Robert Motherwell, Ad Reinhardt, Willem de Kooning, Jean Dubuffet, Hans Hofmann, Josef Albers, Louise Nevelson, Joseph Cornell, Balthus, Francis Bacon, Saul Steinberg, Isamu Noguchi, José de Rivera, Helen Frankenthaler, Jean Hélion, Mark di Suvero, Anthony Caro, Frank Stella, Robert Morris, Claes Oldenburg, Matta, Jean Ipousteguy, Nicolas de Staël, Fairfield Porter, Jim Dine, Ernest Trova, George Segal, Philip Pearlstein, Ellsworth Kelly, Mary Frank, Richard Hunt, Leland Bell, Anne Arnold, Alex Katz, William King, David Hockney, Cecil Beaton, Henri Cartier-Bresson, Edward Weston, Paul Strand, Bill Brandt, Walker Evans, Diane Arbus, Clement Greenberg, Herbert Read, Harold Rosenberg, William Bailey, Andy Warhol

Anthology of the writings of art critic Hilton Kramer. "In the eight years since he became art news editor of The New York Times, Hilton Kramer has emerged as perhaps the most perceptive and influential art critic in America. ... [details]