Unconcealed : The International Network of Conceptual Artists 1967 - 77; Dealers, Exhibitions and Public Collections

Sophie Richard, Lynda Morris, Vincenzo Agnetti, Carl Andre, Giovanni Anselmo, David Antin, Karel Appel, Arakawa, Arman, Art & Language, Art & Project, Richard Artschwager, Michael Asher, David Askevold, Terry Atkinson, John Baldessari, Michael Baldwin, Robert Barry, Georg Baselitz, Bernd & Hilla Becher, Joseph Beuys, René Block, Mel Bochner, Alighiero Boetti, Christian Boltanski, Marcel Broodthaers, Stanley Brouwn, Daniel Buren, Victor Burgin, Ian Burn, James Lee Byars, André Cadere, Hanne Darboven, Walter de Maria, Jan Dibbets, Braco Dimitrijevic, Nina Dimitrijevic, Peter Downsbrough, Konrad Fischer, Barry Flanagan, Dan Flavin, Hamish Fulton, Isa Genzken, Gilbert & George, Maria Gilissen, Dan Graham, Group Zero, Gruppe X, Hans Haacke, Michael Heizer, Eva Hesse, Rebecca Horn, Douglas Huebler, Jasper Johns, Donald Judd, On Kawara, Ellsworth Kelly, Yves Klein, Imi Knoebel, Kasper König, Walther König, Joseph Kosuth, Jannis Kounellis, Christine Kozlov, David Lamelas, Sol LeWitt, Roy Lichtenstein, Lucy R. Lippard, Richard Long, Robert Mangold, Piero Manzoni, Brice Marden, Kynaston McShine, Mario Merz, Annette Messager, Catherine Millet, Robert Morris, Bruce Nauman, Claes Oldenburg, Yoko Ono, Count Giuseppe Panza di Biumo, A.R. Penck, Giuseppe Penone, Clive Phillpot, Pablo Picasso, Sigmar Polke, Yvonne Rainer, Mel Ramdsden, Robert Rauschenberg, Gerhard Richter, Rolf Ricke, Bridget Riley, Klaus Rinke, Walter Robinson, Dorothea Rockburne, Dieter Roth, Allen Ruppersberg, Edward Ruscha, Reiner Ruthenbeck, Robert Ryman, Fred Sandback, Gerry Schum, Richard Serra, Willoughby Sharp, Robert Smithson, Keith Sonnier, Daniel Spoerri, Frank Stella, David Tremlett, Cy Twombly, Andy Warhol, John Weber, William Wegman, Lawrence Weiner, Jack Wendler, Franz West, Angela Westwater, Rémy Zaugg, Marian Zazeela, Zéro Group, Felix Zdenek, Gilberto Zorio

Large-scale examination of the conceptual art network in its years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]