Critical / photographic book by Germano Celant documenting the so-called "Art Povera / Arte Povera" movement. Includes short text followed by photographs for each artist: Walter de Maria, Michelangelo Pisteletto, Stephen Kaltenbach, Richard Long, Mario Merz, Douglas Huebler, Joseph Beuys, Eva Hesse, Michael Heizer, Ger van Elk, Lawrence Weiner, Luciano Fabro, Bruce Nauman, Joseph Kosuth, Jan Dibbets, Giovanni Anselmo, Robert Barry, Pier Paolo Calzolari, Dennis Oppenheim, Barry Flanagan, Robert Smithson, Giulio Paolini, Reiner Ruthenbeck, Alighiero Boetti, Giuseppe Penone, Franz Erhard Walther, Hans Haacke, Gilberto Zorio, Robert Morris, Marinus Boezem, Carl Andre, Emilio Prini, Richard Serra. ... [details]
Large-scale examination of the conceptual art network in its years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
Exhibition catalogue in two volumes for show held at the Museum of Fine Arts, Boston, Massachusetts, 1971. First book includes an essay by David Antin, and biographies of the artists in the exhibition, as well as a selected bibliography. ... [details]
Artist's book / anthology edited by Wolf Vostell and Dick Higgins. Artists include Ay-O, Joseph Beuys, Erich Buchholz, Pol Bury, John Cage, Philip Corner, Jan Dibbets, Robert Filliou, Buckminster Fuller, Geoffrey Hendricks, Richard Hamilton, Raoul Hausmann, Michael Heizer, Jan Jacob Herman, Bici Hendricks, Dick Higgins, K. ... [details]
Inaugural issue of the quarterly periodical Avalanche. Edited by Liza Bear, published by Willoughby Sharp, and designed by Boris Wall Gruphy [a pseudonym for Willoughby Sharp]. Contents include: "Rumbles," featuring James Turrell, Keith Arnatt, Douglas Davis, Luis Fernanda Benedit, Paolo Soleri, Isaac Witkin, and William Wegman; "Interview: Carl Andre;" "Interview: Jan Dibbets;" "Retrospective: Richard Long;" "Pace and Process," by Robert Morris; "Portrait: Joseph Beuys," by Skunk-Kender; "Body Works," by Willoughby Sharp; "Museums: MOCA, San Francisco;" "Galleries: Reese Palley, San Francisco;" "Discussions with Heizer, Oppenheim, Smithson," by Michael Heizer, Dennis Oppenheim and Robert Smithson. ... [details]
Oversized exhibition announcement card published in conjunction with opening held October 5, 1968. Announcement consists of a sheet of heavy-stock cardboard flocked with sand. Text reads: "EARTHWORKS / DWAN NEW YORK OCTOBER 5, 1968. ... [details]
Monograph on Michael Heizer's monumental land art project "Double Negative." Foreword by Richard Koshalek and Kerry Brougher. Essay by Mark C. Taylor. Includes selected bibliography. "Created with bulldozer and dynamite in 1969 in the vast expanse of the Nevada desert, Michael Heizer's Double Negative was one of the first and remains among the most influential of the monumental 'earthworks' sculptures in and of the land. ... [details]
Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca' Corner della Regina, Venice, Italy, June 1 – November 3, 2013. Exhibition was based on the original 1969 show—"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"—held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. ... [details]
Exhibition catalogue published in conjunction with Prospect 69 held September 30 - October 12, 1969. Conceived of and organized by Konrad Fischer and Hans Strelow. Edited section by Seth Siegelaub incorporates interviews with Robert Barry, Douglas Huebler, Joseph Kosuth, and Lawrence Weiner conducted individually by themselves. ... [details]
Exhibition catalogue housed in paperboard binder published in conjunction with show held March 22 - April 27, 1969. Exhibition traveled to Institute of Contemporary Art, London, with variant catalogue. ... [details]