The first issue [only published issue?] of Images & Issues Magazine, published in Summer 1980. Edited by Sandy Ballatore. Contents include: "Photography's Response to Constructivism," by Robert Atkins; "Nothing is Better than the First Attempt: Jay McCafferty and Gregg Renfro," by Sandy Ballatore; "Space/Time/Sound-1970s," by Mary Stofflet; "Vija Celmins: A Survey Exhibition," by Jan Butterfield; "Ed Moses and Peter Lodato: Analysis of Two Painters," by Adrienne Rosenthal; "Post Post-Art, Where Do We Go From Here," by Douglas Davis; "Reality Games," by Sandy Ballatore; "Philip Guston: A Very Anxious Fix," by Jan Butterfield; "Art, Audience, and the Dinner Party," by Judy Chicago; "Taste, Kitsch, Art, Metaphor: Steven Kaltenbach," by Charles Shere; "A Barbizon of Performance: What's Cooking III, San Diego," by Sanda Agalidi; "Scott Burton: Individual Behavior Tableaux," by Michael Auping; "John Cage on Joyce, Duchamp, Satie," by Robert Atkins; and "How Long is the Present?," by David Antin. ... [details]
First issue of six issues published of "It Is: A Magazine for Abstract Art." Director and collator: Sebastian Gallo. Contents include: "Recent Attacks on Abstract Art," by Hubert Crehan; "The Canvas Plane, or Onwards and Upwards," by Michael Goldberg; "Drawing the Figure," by Nicholas Marsicano; "Ambiance and Abstract Sculpture," by E. ... [details]
March / April 1979 issue of the periodical "Journal." Edited by Debra Burchett-Lere and Bridget Johnson. Contents include: "Spotlight;" "Making Music in the Name of Art," by Rhys Chatham; "Fluxus/Music: Two Views," Peter Frank and Al Hansen; "Performance Notes," by David Byrne; "Show Me a Boy Who Never Wanted to be a Rock Star and I'll Show You a Liar," by Savannah Roller; "Punk: Political Pop," by Dan Graham; "An Interview with Judy Nylon," by Margery Peters; "Interviewed: Iggy Pop," by Kristine McKenna; "Letterview, David Byrne of Talking Heads," by Debra Burchett-Lere; "Pythagorean Harmonics," by Drew Lesso; "Photography: Robert Cumming," by James Hugunin; "Performance: 'Laurie Anderson," by Richard Lorber, 'Michael Kelly," by Richard Armstrong, 'John White,' by Louise Lewis;" "Criticism," by Michael Kurcfeld, James Hayward; "Film," by David E. ... [details]
October/November 1978 issue of the periodical "Journal." Edited by Debra S. Burchett and Bridget Reak-Johnson. Contents include: "Re the Production of Work in the Age of Mechanical Art," by Jim Pomeroy; "A Proposal," by Kristine Stiles; "Fetish to Physics," by Melinda Wortz; "History / Art," by Christopher Knight; "Paragraphs," by Sanda Agalidi; "Notes for "Progress, Not Adventure," " by Al Ruppersberg; "Isolated Imagery: Joe Goode," by Michele De Angeles; "A Conversation with Vija Celmins," by Susan Larsen; "Chandlerism," by Alexis Smith; "Untitled," by Elyn Zimmerman; "The Hydrogen Jukebox: Terror, Narcissism and Art," by Peter Schjeldahl; "Music," by Pauline Oliveros, Bob White; "Painting," by Richard Armstrong, Howard Singerman; "Photography," by Irene Borger, Robert MacDonald, James Hugunin; "Ephemera," by Ulisses Carrion; "Scoops," by Debra S. ... [details]
January / February 1978 issue of the periodical "Journal." Edited by Michael Auping. Contents include: "Issues and Commentary;" "An Interview with Lynn Hershman," by Moira Roth; "Unstretched Surfaces," by Howard Singerman; "Little Scenes," by Brian Forrest; "Book Art," by Richard Kostelanetz; "David Del Tredici's FINAL ALICE," by James Welling; "Michael Brewster, Installations," by Melinda Wortz; "Hummingbirds," by Cynthia Lee Maughan; "Paragraphs," by Sanda Agalidi; and "Some Recent Art and Architectural Analogue," by Christopher Knight. ... [details]
1979 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Chris Burden: 'The Curse of Big Job,' 'Interviewed by Jim Moisan,' 'Coals to Newcastle;'" "Gina Pane," interviewed by Barbara T. ... [details]
Spring 1975 issue of Art-Rite focused on Painting, edited by Walter Robinson and Edit deAk. Contents include: "Conventional Wisdom"; "Untitled Statement," by Jeremy Gilbert-Rolfe; "Painting Matters," by Lucio Pozzi; "On Jumping," by David Reed; "On Intermediate Cases," by David Reed; "Random Notes on Painting From A Critic's Daybook," by Robert Pincus-Witten; "The Whitney Biennial," by Anthony Mascatello; "A Pained Expression," by Dennis Kardon; "About Painting," by Lawrence Alloway; "Photographic Realism," by The Staff; "Lilly Brody"; "John Mendelsohn"; "Nancy Spero"; "Julian Schnabel"; "Evriah Bader"; "Peter Grass"; "Niel Jenney:" "Painters (Group One)"; "Bruce Boice (with Irving Sandler)"; "Painters (Group Two)"; "Conversation with Brice Marden. ... [details]
All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. ... [details]
Exhibition catalogue published in conjunction with show held at Institute of Contemporary Art, University of Pennsylvania, January 17 - February 28, 1975. Traveled to The Contemporary Arts Center, Cincinnati, OH, March 22 - May 30, 1975 ; Museum of Contemporary Art, Chicago, IL, June 28 - August 31, 1975 ; and the Wadsworth Atheneum, Hartford, CT, September 17 - November 2, 1975. ... [details]
Large-scale examination of the conceptual art network in its years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]