Exhibition catalogue published in conjunction with show held May 7 - July 12, 1987. Essays by Lynne Tillman, Phil Mariani, and William Olander. Participating artists include Dennis Balk, Nancy Burson, David Cabrera, Laurel Chiten, Cheryl Qamar, Clegg & Guttmann, Mark Dion, Jason Simon, Duvet Brothers, Tim Ebner, John Glascock, Gorilla Tapes, Day Gleeson, Dennis Thomas, Fariba Hajamadi, Reginald Hudlin, Joan Jubela, Stanton Davis, Annette Lemieux, MICA-TV, Paul McMahon, Branda Miller, Peter Nagy, David Robbins, John Scarlett-Davis, Andres Serrano, Shelly Silver, Michael Smith, and Sarah Tuft. ... [details]
Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. ... [details]
Prospectus issued in conjunction with the publication of the portfolio "The First Meeting of the Satie Society," a visual installation and a performance in a valise by John Cage. Includes a list of works incorporated into the portfolio including in addition to Cage: Merce Cunningham, Sol LeWitt, Robert Ryman, Robert Rauschenberg, Jasper Johns, Michael Silver and Stephen Bastian. ... [details]
Exhibition catalogue published in conjunction with show held January 9 - February 20, 1993. Curated and with texts by Christian Leigh. Artists included Pedro Almodóvar, Janine Antoni, Lutz Bacher, Jo Baer, Jean-Michel Basquiat, Raymond Bellour, Philipe Venault, Janet Biggs, Nayland Blake, Ross Bleckner, Peter Bogdanovich, Louise Bourgeois, Richmond Burton, Laurie Ann Campbell, Larry Clark, Chuck Close, Robert Colescott, George Condo, Maureen Connor, John Coplans, James Croak, Brian De Palma, Walt Disney, Jiri Georg Dokoupil, Christian Eckart, Robert Feintuch, Dan Flavin, Llyn Foulkes, Frank Gehry, Jean-Luc Godard, Robert Graham, Peter Greenaway, Robert Greene, Timothy Greenfield-Sanders, Zaha M. ... [details]
Single sided flyer announcing a series of concerts held at Bert Stern's Studio with support from Leo Castelli, New York City, May 25 - 28, 1968. Performances, artwork, including "Topsoil" by Alex Hay; "Nobody Knows the Trouble You've Seen" by Charles Silver and Edward Lonchike; "Code Poems" by Hannah Weiner with performances by Michael Kirby, Carter Ratcliff, Weiner, Erich Rogers, John Neal and assist of Tom Trengrove, Dan Graham and Marjorie Strider; "Song and Face Book" by Simone Whitman; "Linoleum" by Robert Rauschenberg featuring Tony Holder, Julie Martin, Steve Paxton, Rauschenberg, Dorothea Rockburne, Dick Van Buren, Simone Whitman with sculpture by Robert Breer and Maxfeeder by Max Neuhaus; "Duchamp Segment of Hans Richter's Dreams Money Can Buy" by Elaine Sturtevant with pianist Lorne Hollander; and "Hitch" by Tom Gormley" with Eldridge Cooke, Michael Kirby, Gormley and assist by Christos Gianakos and Barbara Gormley. [details]
Issue edited by Ida Panicelli. Essays "Troubleshooters: Barbara Ehrenreich on the Moral Majority," by Barbara Ehrenreich; "Democracy, Inc.: Gary Indiana on Censorship in the Arts," by Gary Indiana; "The Cave: Jeanne Silverthorne on 'Batman,'" by Jeanne Silverthorne; "Ground Up: Herbert Muschamp on Architecture," by Herbert Muschamp; "Environment: Molly Hankwitz on Ideal Cities," by Molly Hankwitz; "Like Art: Glenn O'Brien on Video Games," by Glenn O'Brien; "Remote Control: Barbara Kruger on Television," by Barbara Kruger; "Undertone: David Sternbach on Rap," by David Sternbach; "At First Light: A Glance at the Discovery and Early Years of Photography," by Amy Baker Sandback; "Parts and Parcels: Thomas Virnich," by Annelie Pohlen; "Cubist Hypochondria: On the Case of Picasso and Braque," by Donald Kuspit; "This is Only a Test: Chris Burden," by C. ... [details]
Issue edited by Ingrid Sischy. Essays "At the Whitney Biennial," "Good Morning America," by Charles Hagen, "Almost Home," by Lisa Liebmann; "The Marketplace," by Lucas Samaras; "From Inside the Whale," by Michael Newman; "Kitsch in Cuba," by Eva Sperling CockCroft, "I Think Therefore I Art," by Thomas McEvilley; "Farewell to Marc Chagall," by André Verdet; "An Art of Regret," by Rene Ricard; "Rosenquist's Rouge," by Carter Ratcliff; "From Sam Cooke in Heaven," by Greil Marcus. ... [details]
1991 Electronic Arts Intermix catalogue for video art. Edited by Lori Zippay. Artists include Marina Abramovic, Vito Acconci, John Adams, Max Almy, Jon Alpert, Marie André, Lawrence Andrews, Ant Farm, Charles Atlas, John Baldessari, Burt Barr, Stephen Beck, Raymond Bellour, Dara Birnbaum, Skip Blumberg, Ante Bozanich, Klaus vom Bruch, Barbara Buckner, Chris Burden, James Byrne, John Cage, Roger Cahen, Peter Callas, Peter Campus, Shirley Clarke, Wendy Clarke, Maxi Cohen, Cecelia Condit, David Cort, Peter d'Agostino, Douglas David, Cara DeVito, Dimitri Devyatkin, Juan Downey, Ed Emschwiller, Ken Feingold, Kit Fitzgerald, John Sanborn, Richard Foreman, Terry Fox, Tony Oursler, Michael Owen, Nam June Paik, Charlemagne Palestine, Raindance, Anthony Ramos, Daniel Reeves, John Reilly, Martha Rosler, Paul Ryan, Dan Sandin, Éder Santos, Ira Schneider, Bill Seaman, Eric Siegel, Shelly Silver, Michael Smith, Steina, Skip Sweeney, Rea Tajiri, Janice Tanaka, T. ... [details]
Issue edited by Ingrid Sischy. Essays "Issue edited by Ingrid Sischy. Essays "The Extravagant Depression: John Gutmann's Photographs of the Thirties," by Max Kozloff; "The Pledge of Allegiance," by Rene Ricard; "Portrait of Patti Astor," by Jimmy de Sana; "Heads It's Form, Tail It's Not Content," by Thomas McEvilley; "The Dark Side of the Bright Light," by Thomas Lawson; "Constructive Issues in Relief," by Joseph Masheck; "Venice Biennale 1982: No Form, Little Contentment," by Kate Linker and Ida Panicelli. ... [details]
Issue edited by Ingrid Sischy. Essays "David Bowie's Survival," by Carter Ratcliff; "Biographical Notes on a Metaphysical Argonaut - Alberto Savinio," by Maurizio Fagiolo dell'Arco; "'I'm Really Scared When I Kill in My Dreams,' (from a lyric by Glenn Branca)," by Kim Gordon; "Barry Le Va's Sculpture: Ellipsis and Ellipse," by Klaus Kertess, a project by Barry Le Va; "The 20th New York Film Festival: Virtue and Vice on 65th Street," by Barbara Kruger; "The 20th New York Film Festival: A Penny for the Peep Show," by Gary Indiana; "Books: Kathy Acker on Hans Magnus Enzensberger's 'Critical Essays,'" by Kathy Acker; "The Appearance of the Zeitgeist," by Wolfgang Max Faust. ... [details]
