Program for the Second Annual New York Festival of the Avant Garde held at Judson Hall, New York, August 30 - September 13, 1964. Organized by N. Seaman and Charlotte Moorman. Performances and contributions by Charlotte Moorman, Karlheinz Stockhausen, Allan Kaprow, James Tenney, Max Neuhaus, Alvin Lucier, Robert Delford Brown, Olga Kluver, Lette Eisenhauer, Robert Breer, Garry Harris, David Behrman, Marjorie Strider, Michael Kirby, Allen Ginsberg, Vincent Gaeta, Gloria Graves, Dick Higgins, Jackson Mac Low, Peter Leventhal, Mary Bauermeister, Matthew Raimondi, Malcolm Goldstein, Marilyn Reiley, Joseph Shor, Jacob Glick, Benjamin Patterson, Mary Barnette, Alice Kogan, Mary Kucier, Charles Morrow, Jame Lee, George Brecht, Joe Jones, Lorenzo Thomas, Nam June Paik, Frederic Rzewski, Philip Corner, Christian Wolff, Morton Feldman, Robert Moran, Stefan Wolpe, Lukas Foss, Bertram Baldwin, Terry Jennings, Earle Brown, John Cage, Guisseppe Chiari, Toshi Ichiyanagi, Richard Maxfield, Kaniharu Akiyama, Harvey Sollberger, Mario Davidovsky, Yannis Xenakis, Luciano Berio, Luc Ferrari, Robert Bayley, Philip Jameson, Gyorgy Ligeti, Henri Pousseur, Peter Moore, Gordon Mumma, George Cacioppo, Robert Ashley, Carl Spelbring, Bruce Wise, George Crevoshay, Edgard Varese, Vincent Cavalli, Adrian Gnam, Ryo Hei Nakagawa, William Lewis, Fred Mills, Donald Stratton, John Bergamo, Edward Burnham, Raymond Desroches, Fred Eckler, Richard Fitz, Paul Price, and Howard Zwickler. ... [details]
Single fold card / announcement with double sided card / announcement insert published in conjunction with shows "From Desire... A Queer Diary" held March 29 - April 19, 1991, curated by Nan Goldin ; and "OUT ART: Work By and About Lesbians, Gay Men, and Bisexuals, Visual AIDS II," held March 29 - April 19, 1991 curated by James Miller. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by Rosalind Krauss, Annette Michelson, George Baker, Yve-Alain Bois, Benjamin H. D. Buchloh, Leah Dickerman, Hal Foster, Denis Hollier, Mignon Nixon, Malcolm Turvey. Essays "Geometry / Labor = Volume / Mass?," by Darcy Grimaldo Grigsby; "A Conversation with Kenneth Frampton," by San Allen and Hal Foster; "Toward a Theory of the Architectural Program," by Anthony Vidler; "Involuntary Prisoners of Architecture," by Felicity D. ... [details]
Special UPFRONT annotated exhibition supplement. Published in conjunction with show organized by PADD and held at Exit Art, New York, February 19 - March 21, 1986. Introduction by Margia Kramer. Exhibition committee includes Tom Halsall, Karin Batten, Joel Cohen, Tim Hillis, Jerry Kearns, Rae Langsten, Lucy R. ... [details]