Compendium of texts, interviews and images on the intersection between artists and the "Corporate Mentality," compiled by Aleksandra Mir. Edited by Mir and John Kelsey. Introduction by Laura K. Jones. ... [details]
Seminal critical theory text by Guy Debord. Translated from the french by Donald Nicholson-Smith. Originally published in France as "La Société du spectacle" in 1967 by Parisian publisher Buchet-Chastel. [details]
Winter 1937 issue of the periodical "Transition," edited by Eugene Jolas, associate editor James Johnson Sweeney. Front cover design by Marcel Duchamp reproducing the Readymade "Comb." Includes "In Memory of My Father," by James Agee; "Resurgent," by Forrest Anderson; "The Skeleton of the Day," by Hans Arp; "Le Pont Brisé," by Paul Eluard; "Two Poems," by Randall Jarrell; "Planetarische Reise," by Eugene Jolas; "Chêne et Chien," by Raymond Queneau; "Anonyme," by André de Richaud; "Lover as Fox," by Muriel Rukeyser; "Cactus Gardens," by Sanders Russell; "Séparation," by Camille Schuwer; "work in Progress. ... [details]
Exhibition guide published in conjunction with show "Contemplation Environments" held January 20 - March 8, [1970] , at The Museum of Contemporary Crafts of the American Crafts Council. Artists featured include USCO/Intermedia, Neke Carson, Ralph Hawkins, Jackie Cassen, Larry Silverstein, Aleph, Sam Apple, Harry Fischman, Peter Heer, Jon Olson, Victor Lukens, Ugo la Pietra, Peter Nicholson, Emmanuel Ghent, Aleksandra Kasuba, Wendell Castle, Ted Hallman Jr. ... [details]
Exhibition catalogue housed in a cardboard slipcase published in conjunction with show held October 30 - December 1, 2006. Foreword by Del Rey Loven. Texts by Kevin Concannon and David Platzker. Additional texts include Jill Judge on Marcel Duchamp; Kyle Stoneman on Leonor Fini and Salvador Dalí; Frances Nicholson and Alex Draven on Marcel Duchamp; Larry Miller on Larry Miller; Katie Ardner on Robert Watts; Cristina Ciarula on Niki de Saint Phalle; Elizabeth Tyran on Arman; Stacey L. ... [details]
An opinionated non fiction look at the destruction of books and newspapers in American libraries and archives in favor of microfilm, arguing for the preservation rather than destruction of "brittle paper. ... [details]
Exhibition catalogue published in conjunction with show held February 4 - February 29, 1964. Artists include Hans Arp, Beekman, Naum Gabo, Herbin, Vilmos Huszar, Pierre Jeanneret, Wassily Kandinsky, František Kupka, Fernand Leger, El Lissitzky, Kazimir Malevich [Malevitch], Piet Mondrian, Ozenfant, Pevsner, Kurt Schwitters, Sophie Tauber-Arp, Georges Vantongerloo, Bart van der Leck, Theo van Doesburg, Josef Albers, Bill, Ilya Bolotowsky, Stuart Davis, Diller, Fritz Glarner, Helion, Lászlo Moholy-Nagy, Richard Mortensen, Nicholson, deRivera, Stazewsky, Vasarely, Charmion von Wiegand, Jean Xceron, Richard Anuszkiewicz, Brach, John Chamberlain, Nassos Daphnis, Demarco, Ives, Ellsworth Kelly, Levinson, Liberman, Sven Lukin, Larry Poons, Alfredo Ramirez, Angelo Savelli, Sillman, Leon Smith, Frank Stella, Myron Stout. ... [details]
Exhibition catalogue published in conjunction with show held August 20 - October 3, 1982. Written contributions by Hans und Walter Bechtler, René Wehrli, Felix Baumann, and Willy Rotzler. Artists include Hans Aeschbacher, Josef Albers, Arnold D'Altri, Horst Antes, Karel Appel, Hans Arp, Jean Baier, Wolf Barth, René Auberjonois, Andreas Bechlter, Raffael Benazzi, Miguel Berrocal, Max Bill, Julius Bissier, Roger Bissière, Walter Bodmer, Constantin Brancusi, Serge Brignoni, Alexander Calder, Massimo Campigli, Serge Candolfi, Anthony Caro, Baldacchini Cesar, Lynn Chadwick, Eduardo Chillida, Christo, Le Corbusier, Edgar Degas, Nicolas De Staël, Raymond Duchamp-Villon, Franz Eggenschwiler, Max Ernst, Hans Falk, Franz Fedier, Hans Fischer, Hans Fischli, Cornelia Forster, Sam Francis, Werner Frei, Eugen Früh, Naum Gabo, Hans Gerber, Theo Gerber, Alberto Giacometti, Augusto Giacometti, Wilhelm Gimmi, Fritz Giarner, Julio Gonzalez, Adolph Gottlieb, Camille Graeser, Günter Haese, Etienne Hajdu, Hans Hartung, Barbara Hepworth, Adolf Herbst, Christian Herdeg, Marguerite Hersberger, Rudolf Hoflehner, Gottfried Honegger, Jean Ipousteguy, Johannes Itten, Robert Jacobsen, Alfred Jensen, Jasper Johns, Wassily Kandinsky, Zoltan Kemeny, Ernst Ludwig Kirchner, Richard Kissling, Paul Klee, Oedön Koch, Oskar Kokoschka, Harry Kramer, Nortbert Kricke, Frank Kupka, Henri Laurens, Fernand Léger, Wilhelm Lehmbruck, Leo Leuppi, Robert Lienhard, Richard Paul Lohse, Alberto Longoni, Verena Loewensburg, Bernhard Luginbühl, Alberto Magnelli, Alfred Manessier, Marino Marini, Silvio Mattioli, Bruno Meier, Peter Meister, Joan Miró, Yasuo Mizui, Henry Moore, Otto Müller, Robert Müller, Zoran Music, Ben Nicholson, Isamu Noguchi, Kenneth Noland, Victor Pasmore, Alicia Penalba, Iwan Pestalozzi, Antoine Pevsner, Pablo Picasso, Edouard Pignon, Serge Poliafkoff, Germaine Richier, Bridget Riley, Jean-Paul Riopelle, Charles Rollier, Dieter Roth, Mark Rothko, Georges Roualt, Kathaina Sallenbach, Niki de Saint Phalle, Giuseppe Santomaso, Gérard Schneider, Bruno Walter Siegfried, Alfred Sigg Hermann, Kurt Sigrist, Roman Signer, Gustave Singier, David Smith, Pierre Soulages, Louis Soutter, Emilio Stanzani, Frank Stella, George Sugarman, Antoni Tapiès, Jean Tinguely, Mark Tobey, Italo Valenti, Georges Vantongerloo, Grégorio Vardanega, Victor Vasarely, Jacques Villon, Friedrich Vordemberge-Gildewart, Andy Warhol, Hans-Peter Weber, Rudolf Zender, and Arnold Zürcher. ... [details]
Exhibition catalogue published in conjunction with show held August 22 - November 2, 1980. Written contributions by Felix A. Baumann, Sabine Kricke-Güse, Ernst Gerhard-Güse, Carola Giedion-Welcker, Sigrid Braunfels-Esche, Margit Rowell, Wulf Herzogenrath, Willy Rotzler, Eduard Trier, and Thomas Deecke. ... [details]
"This volume is a revised and expanded version of a special issue of the journal October (Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English. ... [details]
