May 13, 1983 issue of the CalArts student arts and letters periodical wALT. Edited by Oren Schlieman. Contents include: "666," edited and by Mark David Brooks; "The Enemy (Gene)," by Harry Michale Portwood Jr. ... [details]
Issue number 13 of the periodical Dot Dot Dot, a predecessor to the publication "Bulletins of The Serving Library." Edited by Stuart Bailey. Contents include: "Editorial (1)," by G.K. Chesterton; "Editorial (2)," by Benjamin Franklin; "Editorial (3)," by Lewis H. ... [details]
Promotional poster for the 9th Annual New York Avant Garde Festival presented by Charlotte Moorman aboard the riverboat "Alexander Hamilton" at South Street Seaport Museum, Pier 16, New York City, October 28, 1972, "hopefully" in Poughkeepse, New York, October 29, 1972 and in Albany, New York, October 30, 1972. ... [details]
Press release for a series of exhibitions held April 27 - June 15, 1980, curated by Alanna Heiss. Exhibitions include: "Image Into Pattern," with paintings by Roger Brown, Robert Gordy and John Tweddle: "Special Projects Room," with work by Gigi Franklin, Paul Franklin, Peter Downsbrough, John Massey, Dennis Oppenheim, Howard Gross, Roberta Allen, Joy Walker, Tony Moore, Mikiya Matsuda, Cheryl Vicario Laemmle, Toshio Sasaki, Gloria Kish and Frances Hynes; "Poetry Reading," by Jaime Manrique Ardila, curated by Steve Hamilton, held April 27, 1980; "Photography," by Joel-Peter Witkin, curated by Sam Wagstaff; "Architecture;" with work by Bernard Tschumi, Robert Mangurian and Craig Hodgetts, curated by Lindsay Shapiro; "International Studio Program," with artists Wolf Kahlen, Catharina Cosin, John Hall, Jasper Halfmann, Franz Goebel and Elke Schmees; "Canadian Video," curated by Peggy Gale featuring work by Robert Hamon, General Idea, Tom Sherman, Susan Britton, Colin Campbell, Elizabeth Chitty, Noel Harding, Pierre Falardeau, Nancy Nicol, Clive Robertson and Lisa Steele; "Video Installation," curated by Bob Harris featuring Tony Martin; "Studio Workspace Program Exhibition 1979 - 1980," with artists Candida Alvarez, Rae Berolzheimer, Douglas Braswell, Marina Cappelletto, Efrain de Jesus, Natalie Dymnicki, Ron Edson, Darrel Ellis, Peter Fend and others; "Outdoor Sculpture Show," featuring Allen Bertoldi, David Black, Barry Feurstein, Jene Highstein, Ray Kelly, Yoav Shapiro, Merle Temkin and Maura Sheehan. ... [details]
Exhibition catalogue published in conjunction with show held at the Walker Art Center, Minneapolis, Minnesota, February – May, 2003. Traveled to Fondazione Sandretto Re Rebaudengo per l''''arte, Turin, Italy, June - September, 2003; and Contemporary Arts Museum Houston, Texas, July - September, 2004. ... [details]
Four part set of ephemera housed in a printed envelope. Vol. 1 includes a double sided folded flyer / announcement for "Some Sky and Other Things for Newark," by Geoff Hendricks screened March 17, 1969 on WNDT Channel 13 featuring music by Kenneth Werner and contributions by Milan Knizak, Sioux Bettman, Laurie Franklin, Joan Friedman, John Hanson, Sarah Hole, Anita Jones, Mary Anne Kephart, Stan Magnan, Chas May, David Stackhouse, and Kathy Weintraub, with the help of Paul Ryan. ... [details]
Exhibition catalogue published in conjunction with show held at Philadelphia Museum of Art, Philadelphia, PA, October 30, 2012 - January 21, 2013. Text by Carlos Basualdo, Erica F. Battle, Calvin Tomkins, Reinaldo Laddaga, Paul B. ... [details]
Exhibition catalogue published in conjunction with symposium and multi venue show presented by The Association Kunsthalle Marcel Duchamp, Cully, Switzerland, in collaboration with the Philadelphia Museum of Art and ECAL / University of Art and Design Lausanne, held May 7 - June 13, 2010. ... [details]
Exhibition catalogue published in conjunction with show of the personal art collection of Juliana Force held at the Whitney Museum of American Art, September 24 - October 30, 1949. Text by Juliana Force, Herman More, Lloyd Goodrich, John Sloan, Guy Pène du Bois, Alexander Brook, Forbes Watson. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]