Exhibition catalogue published in conjunction with show held May - September 1979. Edited by Christoph Stötzl. Artists include Josef Achmann, Eduard Aigner, Karl Arnold, Gustav Lörincz de Baranyai, Carl Johann Becker-Gundahl, René Beeh, Fritz Behn, Otthans Beier, Rudolf Belling, Karl Bertsch, German Bestelmeyer, Peter Birkenholz, Bernhard Bleeker, Albert Bloch, Georg Brenninger, Albert Burkart, Yorgo Busianis, Heinrich Campendonk, Felice Casorati, Karl Caspar, Maria Caspar-Filser, Fritz Claus, Oskar Coester, Eugen Maria Cordier, Lovis Corinth, Heinrich Maria Davringhausen, Julius Diez, Otto Dill, Erna Dinklage, Franz Doll, Heinrich Düll, Elk Eber, Josef Eberz, Eduard Ege, Henry Ehlers, Fritz Hellmuth Ehmecke, Heinrich Ehmsen, Edgar Ende, Julius Ussy Engelhard, Adolf Erbslöh, Fritz Erler, Ernesto de Fiori, Max Eschle, Max Fischbach, Alexander Fischer, Theodor Fischer, Hermann Geibel, Otto Geigenberger, Willi Geiger, Theodor Georgii, Franz Paul Glass, Erich Glette, Benjamin Godron, Georg Graessegger, Günther Graßmann, Rudolf Grossmann, Olaf Gulbransson, Hugo von Habermann, Hermann Hahn, Thomas Theodor Heine, Wilhelm Heise, Edwin Hermann Richard Henel, Josef Henselmann, Christian Hess, Julius Heß, Friedrich Heubner, Anton Hiller, Josef Hillerbrand, Käthe Hoch, Ludwig Hohlwein, Julius Hüther, Walter Jacob, Angelo Jank, Mary Kaemmerer, Alexander Kanoldt, Ludwig Kaspar, Hermann Keimel, Heinrich Kirchner, Karl Knappe, Fritz Koelle, Gertrud Kraut, Erwin von Kreibig, Alfred Kubin, Otto Gottlieb Konstantin von Kursell, Martin Lauterburg, H. ... [details]
Fall 1992 issue of October, edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Contents include: "Aesthetics and Anaesthetics: Walter Benjamin's Artwork Essay Reconsidered," by Susan Buck-Morss; "Ernst Jünger and the Transformed World," by Brigitte Werneburg; "Spiritual Reactionaries After German Reunification: Syberberg, Foucault, and Others," by Diedrich Diederichsen; "Kiefer in Berlin," by Andreas Huyssen; "Painting Negation: Gerhard Richter's Negatives," by Peter Osborne; "Moments of Interpretation," by Desa Philippi; "Hand-Made Photographs and Homeless Representation," by Thomas Crow; and "The Richter-Scale of Blur," by Gertrud Koch. [details]
Issue edited by Bice Curiger. Essays "Jana Sterbak: Chaos and Self-Creation," by Richard Noble; "Max Neuhaus: Invisible sculpture-molded sound," by Doris von Drathen; "Three Impromptus on the Art of Gerhard Richter," by Jean-Pierre Criqui; "Endless Finalities," by Peter Gidal; "The tragic desire," by Birgit Pelzer; "Sequence of Time," by Gertrud Koch; "Richter in Tahiti," by Dave Hickey; "Lèche Vitrine," by Peter Fleissig; "Dieter Roth: Garbage Clarified," by Patrick Frey; "Meyer Vaisman flips the bird," by Trevor Fairbrother; "Les Infos Du Paradis," by Roselee Goldberg; "Cumulus From America," by Paul Taylor; "Cumulus Aus Europa," by Hans Rudolf Reust; "Balkon," by Claudia Gould. ... [details]
Issue edited by Bice Curiger. Essays "The Aesthetic Illusion," by Jean Baudrillard; "Ray's Tack," by Peter Schjeldahl; "All For One and One For All," by Robert Storr; "Some Bodies," by Klaus Kertess; "Charles Ray's still lifes," by Christopher Knight; "Edition For Parkett," by Charles Ray; "The Soul is the Body's Envelope," by Denys Zacharopoulos; "Pelops' Meal," by Elisabeth Schlebrügge; "Conversation," by Harald Szeemann; "Sex in the Afternoon," by Jan Avgikos; "Collaboration and the Issue of Completion," by Martin Prinzhorn; "3 or 17," by Franz West and Axel Huber; "Edition For Parkett," by Franz West; "Silent Music: Luc Tuymans," by Hans Rudolf Reust; "Les Infos Du Paradis: Inquiry," by unattributed artists; "Cumulus Aus Europa," by Gertrud Sandqvist; "Cumulus From America," by Gary Michael Dault. ... [details]
Collection of nude photographs of women by James Baes, Peter Gert, Helmut Newton, Garry Gross, William Jolitz, Stephen Anderson, Ron Mesaros, Dick Zimmerman, Antonin Kratochvil, Christian Vogt, Guido Mangold, Jeanloup Sieff, Keeling/Robert. ... [details]
Exhibition catalogue published in conjunction with show of privately held works and works from the New Realism exhibition, held at the Neue Galerie der Stadt Aachen, Germany, July 1972. Book features thick-board covers with lenticular / holographic image of works by Duane Hanson bolted onto front. ... [details]
Catalogue for a juried exhibition curated by scientists conceived by Art & Technology guru Billy Klüver. Organized by Experiments in Art and Technology in conjunction with the Brooklyn Museum and The Museum of Modern Art, a call for submissions was placed in the New York Times on November 12, 1967 [reproduced in this catalogue] the show drew budding technologists / artists with the chosen work ultimately exhibited at the Museum. ... [details]
Fourth of five editions of the exhibition / collection landmark catalogue designed by Wolf Vostell. Unusually paginated, approximately 500 pages consisting of 32 pages printed on thin styrofoam sheets with contributions by Gert von der Osten, Peter Ludwig, Horst Keller, and Evelyn Weiss, followed by hundreds of pages printed on brown paper, interspersed with portraits of each featured artist printed and / or screenprinted [?] on acetate sheets, graph paper, and illustrated with tipped-in color plates. ... [details]
Large-scale exhibition catalogue published in conjunction with exhibition "Documenta 5," held June 30 - October 8, 1972. Catalogue features screenprinted cover designed by Edward Ruscha. This massive tome is housed in a vinyl covered, European standard, two-ring notebook. ... [details]
Program for series of performances staged at the Judson Memorial Church on May 22, 23, 24, 26, 27, 28 and June 3, 4, 5, 1966. Program included "Patter for Soft-Shoe Dance" by George Dennision with music by Al Carmines and choreography by Remy Charlip; "March" choreographed and danced by Jame Waring; The Mind is a Muscle" by Yvonne Rainer; "Tambourine Dance" by Waring; "Home Movies" by Rosalyn Drexler with music by Carmines and directed by Lawrence Kornfeld and paintings by Jon Hendricks; "Promenade" by Maria Irene Fornes with music by Barmines and directed by Kornfeld; "Morning Raga with Yellow Chair" choreographed and danced by Arlene Rothlein; "April and December" choreographed by Charlip and danced by Aileen Passloff; "What Happened" by Gertrude Stein with music by Carmines, directed by Kornfled and performed by Joan Baker, Lucinda Childs, Passloff, Rainer, Rothlein, Carmines, Hunt Cole, Masato Kawasaki and Burton Supree with set by Geoffrey Hendricks; "Pomegranada" by H. ... [details]