Issue edited by Bice Curiger. Essays "Jana Sterbak: Chaos and Self-Creation," by Richard Noble; "Max Neuhaus: Invisible sculpture-molded sound," by Doris von Drathen; "Three Impromptus on the Art of Gerhard Richter," by Jean-Pierre Criqui; "Endless Finalities," by Peter Gidal; "The tragic desire," by Birgit Pelzer; "Sequence of Time," by Gertrud Koch; "Richter in Tahiti," by Dave Hickey; "Lèche Vitrine," by Peter Fleissig; "Dieter Roth: Garbage Clarified," by Patrick Frey; "Meyer Vaisman flips the bird," by Trevor Fairbrother; "Les Infos Du Paradis," by Roselee Goldberg; "Cumulus From America," by Paul Taylor; "Cumulus Aus Europa," by Hans Rudolf Reust; "Balkon," by Claudia Gould. ... [details]
September 1971 Special Film Issue of Artforum, edited by Philip Leider. Contents include: "Foreword in Three Letters," by Peter Gidal, Annette Michelson, Jonas Mekas; "For a Metahistory of Film: Commonplace Notes and Hypothese," by Hollis Frampton; "'True Patriot Love': The Films of Joyce Wieland," by Regina Cornwell; "'Zorns Lemma'," by Wanda Bershen; "'Tom, Tom, the Piper's Son"; by Lois Mendelson and Bill Simon, "A Cinematic Atopia," by Robert Smithson; "Paul Sharits: Illusion and Object," by Regina Cornwell; "Passage," by Michael Snow; "Statements," by Richard Serra; "Paul Revere," by Joan Jonas and Richard Serra; "The Films of Man Ray and Moholy-Nagy," by Barbara Rose; "The Calisthenics of Vision: Open Instructions on the Films of George Landow," by Paul Arthur; "On Negative Space," by Max Kozloff; and "'The Chelsea Girls,'" by Stephen Koch. ... [details]
February 1974 issue of Studio International with cover specially designed for this issue by Robert Natkin. Edited by Peter Townsend. Contents include: "The Situation of the artist in Yugoslavia since 1945," by Cyril Barrett; "'Art-Language' at the Lisson Gallery," by Paul Wood; "Ivan Karp on Marcel Duchamp," an interview with Moira Roth; "Definition and theory of the current avant garde: materialist/structural film," by Peter Gidal; "Correspondence;" "Edvard Munch: scene, symbol and allegory," by Frank Whitford; "Profile," by Hans Haacke; "The Shape of Colour," by Patrick Heron; "Robert Ryman: unfinished 1 (materials)," by Barbara Reise; "Review. ... [details]
June 1974 issue of Studio International with cover specially designed for this issue by David Diao. Edited by Peter Townsend. Contents include: "Foreword;" "Bibliography;" "High Modern: an introduction to post-Pollock painting in America," by John Elderfield; "Correspondence;" "Modernist art 1960 to 1970," by E. ... [details]
Exhibition catalogue published in conjunction with show held June 1 - August 4, 1995. Essay by Peter Gidal. Includes checklist of the exhibition, biography, and bibliography. [details]
Issue edited by Joseph Masheck. Essays "Freedom, Love and Poetry," by Nicolas Calas; "Alan Kirili's Form and Craft," by Jan van der Marck; "Thoughts on Samuel Yellin and Blacksmithing," by Alain Kirili; "Henri Gaudier-Brzeska: The Process of Discovery," by Brice Rhyne; "Problems 'Relating to' Andy Warhol's 'Still Life 1976," by Peter Gidal; "Thomas Bang's Recent Work," by Tiffany Bell; "'Konstruktivism' and 'Kinematografiya,'" by Jennifer Oille; "Peter Berg: Filling In the Holes," by Robert Hurwitz; "Book Review: Nan Rosenthal's 'George Rickey,' by Herbert George. ... [details]
A three-volume, slipcased, exhibition catalogue published in conjunction with show held at Museum Kunst Plast, Düsseldorf, February 14 - May 31, 2004 ; traveled to Kunstmuseum Liechtenstein, Vaduz, June 13 - September 12, 2004 ; Liljevalchs Konsthall, Stockholm, October 2 - January 9, 2005 ; Musée d'Art Contemporain, Lyon, France, January 27 - May 8, 2005. ... [details]
Exhibition catalogue published in conjunction with show held July 14 - September 2, 1984. Text by curator Hilary Gresty, Charles Harrison, and Victor Burgin with additional artists' statements and essays for each individual artist represented. ... [details]
Critical investigation of the films and paintings of Andy Warhol. Includes chronology. Profusely illustrated in black-and-white. [details]
Issue edited by Joseph Masheck. Essays "What's All This About Photography?" by Richard Hennessy ; "Pictures of Art," by Joseph Masheck ; "Seeing Burgoyne Diller," by Deborah Rosenthal ; "Cy Twombly: Major Changes in Space, Idea, Line," by Margaret Sheffield ; "Jeremy Gilbert-Rolfe's 'North Group' Paintings," by Hal Foster ; "Howard Buchwald: Perspective Once Again a Problematic," by Donald B. ... [details]
