Tenth anniversary issue of the biannual publication "Purple," published in Winter of 2003. Edited by Elein Fleiss and Olivier Zahm. Contents include: "Fall/Winter 02/03," by Laetitia Benat; "The Imaginary World," by Jeff Rian; "New York Lowdown," by Bruce Benderson; "Avenidas," by Jens Hoffmann; "Ma couleur préférée," by Claude Closky; "Absolute Beginners," by Maurizio Cattelan; "Portrait," by Wolfgang Tillmans; "Calme Plat," by Pierre Leguillon; "Therefore," by Elein Fleiss; "Surface," by Dominique Gonzalez-Foerster; "Pablo Leon de la Barra," interviewed by Lupita Peckinpah; "Purple Special: 1992," with texts by Elein Fleiss, Jeff Rian, Claude Closky, Dominique Gonzalez-Foerster, Olivier Zahm, Bennett Simpson, Lee Ranaldo, Sharon Mesmer, Marina Faust, Dike Blair, Mark Kingwell, Claude Lévêque, Richard Prince, Tim Griffin, John Kelsey, Sébastien Jamain, Michel Cloup, Mark Borthwick, Mark Fishman, and Jutta Koether; "Grand National Styling," by Terry Richardson; "Berlin Stories," by Heinz Peter Knes; "Man in the Shadows," by Emma Mafille; "Raf Simons/Louis Vuitton," by Frederike Helwig; "Hotel Okura," by Masafumi Sanai; "Dominique Sanda," by Henry Roy; "Baretto," by Giasco Bertoli; "Look But Don't Touch," by Mauricio Guillen; "Mexico City," by Marlene Marino; "AC/OC," by Banu Cennetoglu; "Rock Feller," by Christophe Brunnquell; "Emilie," by Gérard Duguet-Grasser; "World History," by Rita Ackermann; "I feel 'Lucky,' Oh so 'Lucky'!," by Glen Szabo; and "Hope" by Alex Antitch. ... [details]
Exhibition catalogue published in conjunction with show held May - September 1979. Edited by Christoph Stötzl. Artists include Josef Achmann, Eduard Aigner, Karl Arnold, Gustav Lörincz de Baranyai, Carl Johann Becker-Gundahl, René Beeh, Fritz Behn, Otthans Beier, Rudolf Belling, Karl Bertsch, German Bestelmeyer, Peter Birkenholz, Bernhard Bleeker, Albert Bloch, Georg Brenninger, Albert Burkart, Yorgo Busianis, Heinrich Campendonk, Felice Casorati, Karl Caspar, Maria Caspar-Filser, Fritz Claus, Oskar Coester, Eugen Maria Cordier, Lovis Corinth, Heinrich Maria Davringhausen, Julius Diez, Otto Dill, Erna Dinklage, Franz Doll, Heinrich Düll, Elk Eber, Josef Eberz, Eduard Ege, Henry Ehlers, Fritz Hellmuth Ehmecke, Heinrich Ehmsen, Edgar Ende, Julius Ussy Engelhard, Adolf Erbslöh, Fritz Erler, Ernesto de Fiori, Max Eschle, Max Fischbach, Alexander Fischer, Theodor Fischer, Hermann Geibel, Otto Geigenberger, Willi Geiger, Theodor Georgii, Franz Paul Glass, Erich Glette, Benjamin Godron, Georg Graessegger, Günther Graßmann, Rudolf Grossmann, Olaf Gulbransson, Hugo von Habermann, Hermann Hahn, Thomas Theodor Heine, Wilhelm Heise, Edwin Hermann Richard Henel, Josef Henselmann, Christian Hess, Julius Heß, Friedrich Heubner, Anton Hiller, Josef Hillerbrand, Käthe Hoch, Ludwig Hohlwein, Julius Hüther, Walter Jacob, Angelo Jank, Mary Kaemmerer, Alexander Kanoldt, Ludwig Kaspar, Hermann Keimel, Heinrich Kirchner, Karl Knappe, Fritz Koelle, Gertrud Kraut, Erwin von Kreibig, Alfred Kubin, Otto Gottlieb Konstantin von Kursell, Martin Lauterburg, H. ... [details]
Summer 2000 issue of the biannual publication "Purple." Edited by Elein Fleiss and Olivier Zahm. Contents include: "Gaspard Yurkievich," Chikashi Suzuki; "Dorothee Perret," by Frederike Helwig; "Susan Cianciolo," by Marcelo Krasilcic; "Fredie Stevens," by Bianca Pilet; "Van Ommeslaeghe," by Camille Vivier; "Bernhard Willhelm," by Kenshu Shintsubo; "Comme des Garçons," by Torbjorn Rodland; "Summer '00," by Mark Borthwick and Chloe Sevigny; "Jurgi Persoons," by Cris Moor; "helmut Lang," by Lodge Kerrigan; "Miu Miu," by Masafumi Sanaï; "Yab Yum," by Chikashi Suzuki; "Yohji Yamamoto," by Jork Weismann; "Bless," by Katja Rahlwes; "Raf Simons," by Armin Linke; "Bob Richardson," by Terry Richardson; "Suits & Coats," by Anders Edström; "J'Adore," by Wolfgang Tillmans; "Maru Alonso," by Sergio Guillen; "Lightning," by Maria Finn; "Patterns," by Blommers & Scchumm; "Nuit Noire," by Alex Antitch; "Pierre Vadi," by Sylvia Alberton; "Barry Le La," by Lewis Baltz; "Sture Johannesson," by Lars Bang Larsen; "Le Chevallier," by Olivier Bardin; "Isamu Noguchi," by Dike Blair; "Fabrice Gygi," by Lionel Bovier; "Diego Gutierrez," by Jen Budney; "Lisa Beck," by Jimi Dams; "Franz Ackermann," by Joshua Decter; "Gerard Fromanger," by Gilles Deleuze; "Alain Declercq," by Anaïd Demir; "Jenny Gage," by Edith Doove; "Uri Tzaig," by Theresa Duncan; "Arturo Herrera," by Nicolas Frank; "Miwa Yanagi," by D. ... [details]
![Journal [LAICA Journal]](/objects/images/s39803.jpg "Journal [LAICA Journal]")
September/October 1979 issue of Journal. Edited by Bridget Johnson and Debra Burchett. Contents include: "Thoughts on the Last Ten Light Years," by Deborah Irmus; "An Interview with Leland Rice," by Dinah Portner; "Judy Fiskin's Photographs," by Richard Armstrong; "Broken Mirrors and Dirty Windows," by James Hugunin; "Jo Ann Callis: Between Eroticism and Morbidity," David Fahey; "Some Thoughts About Women's Photographs," by Sandra Matthews; "Fables, Grids and Swimming Pools: Phototexts in Perspective," by Robert C. ... [details]
![Journal [LAICA Journal]](/objects/images/s39799.jpg "Journal [LAICA Journal]")
June/July 1979 issue of Journal. Edited by Debra Burchett and Bridget Johnson. Contents include: "For An Art Against the Mythology of Everyday Life," by Martha Rosler; "Exploring the Mathematical Option in Art," by Bernar Venet; "No Money Back Anytime," by Kristine Stiles; "A Diamond is Forever," by Gregory Battcock; "Chymical Wedding," by Carole Caroompas; "To Pico," by Peter Schjeldahl; "Conceptual Art and the Continuing Quest for a New Social Context," by Robert Morgan; "The Level of Water," by Lawrence Weiner; "A The A The," by Alan Sondheim; "Conceptual Comments," by Douglas Huebler; "On Art Writing/Part I," by Clair Wolfe; "L Three Leers/W Three Whys," by John Baldessari; "Media: TeleVisions," by Christopher Knight; "The Dinner Party," by Melinda Wortz; "With a Dinner Party You Get Cheerleaders," by Suzanne Muchnic; "Photographs from the Dinner Party," by Ruth Askey; "The Chelsea Girls Return," by David James; "Photography: Two Photographic Books: Speaking About the Process of Making," by James Hugunin; "Painting: Back to Back," by Melinda Wortz. ... [details]
All three published issues of the periodical The Fox, one of the most important publications of 1970s conceptualism. All issues printed on newsprint, with rough cardboard covers."It is the purpose of our journal to try to establish some kind of community practice. ... [details]
Exhibition catalogue published in conjunction with show held at Institute of Contemporary Art, University of Pennsylvania, January 17 - February 28, 1975. Traveled to The Contemporary Arts Center, Cincinnati, OH, March 22 - May 30, 1975 ; Museum of Contemporary Art, Chicago, IL, June 28 - August 31, 1975 ; and the Wadsworth Atheneum, Hartford, CT, September 17 - November 2, 1975. ... [details]
Compendium of stories about the life of Hudson, founder of Feature Gallery, as told to Steve Lafreniere. Includes introduction by Bob Nickas. Interviewees include Lisa Beck, Ann Bobco, Darinka Novitovic Chase, Dennis Cooper, Jimi Dams, Steve Diller, Derek Eller, Pamela Golden, Sam Gordon, Peter Huttinger, G. ... [details]
Large-scale exhibition announcement / brochure published in conjunction with show held May 11 - July 4, 1971. Text by associate curator Jane Livingstone and senior curator Maurice Tuchman. Artists include John Alberty, Michael Asher, James Bradley, Vija Celmins, Ron Cooper, Mary Corse, Robert Cumming, David Deutsch, Guy Dill, Laddie John Dill, Frederick John Eversley, Jack Goldstein, Scott Grieger, Patrick Hogan, Richard Jackson, Peter Lodato, Alan McCollum, Barbara Munger, Peter Plagens, Joe Ray, Allen Ruppersberg, Wolfgang Stoerchle, John White, and William Wegman. ... [details]
Monograph documenting a non-profit rural community exhibition space, Camera Oscura, founded in 1996 in San Casciano dei Bagni, Italy, and run by the townspeople. Edited and with text by Cornelia Lauf. ... [details]
