Winter 1994 issue of Wedge. Issue guest edited by Silvia Kolbowski. Periodical editors: Brian Wallis and Phil Mariani. Published in conjunction with show "Difference: On Representation and Sexuality," held at The New Museum of Contemporary Art, New York, August 12, 1984 - February 2, 1985. ... [details]
Exhibition catalogue published in conjunction with show held May 7 - July 12, 1987. Essays by Lynne Tillman, Phil Mariani, and William Olander. Participating artists include Dennis Balk, Nancy Burson, David Cabrera, Laurel Chiten, Cheryl Qamar, Clegg & Guttmann, Mark Dion, Jason Simon, Duvet Brothers, Tim Ebner, John Glascock, Gorilla Tapes, Day Gleeson, Dennis Thomas, Fariba Hajamadi, Reginald Hudlin, Joan Jubela, Stanton Davis, Annette Lemieux, MICA-TV, Paul McMahon, Branda Miller, Peter Nagy, David Robbins, John Scarlett-Davis, Andres Serrano, Shelly Silver, Michael Smith, and Sarah Tuft. ... [details]
Collection of thoughts about television edited by Barbara Kruger with essays by Hal Foster, Carol Squiers, Phil Mariani, Rosetta Brooks, Lyn Blumenthal, Lynne Tillman, Amy Taubin, Dan Graham, Gary Indiana, Susan Morgan, Judith Barry, Richard Prince, Larry Gross, Mark Rappport, Charles Hagen, Dara Birnbaum, Peter Nagy, Stephen Prina, Gretchen Bender, Douglas Blau, Mick Eaton, and Christopher Williams. [details]
Fall 1982 issue of Wedge magazine. Edited by Brian Wallis and Phil Mariani. Contents include: "Society of the Spectacle," by Guy Debord; "Psychopathways: Horror Movies and the Technology of Everyday Life," by Jonathan Crary; "'The Thomas Crown Affair,'" by Richard Prince; "An Interview with Rainer Werner Fassbinder," by Bion Steinborn and Rüdiger v. ... [details]
Exhibition catalogue published in conjunction with show held October 4, 1984 - January 6, 1985. Essays by Howard N. Fox, Miranda McClintic and chronology by Phyllis Rosenzweig. Artists include Vito Acconci, Mac Adams, John Ahearn, Terry Allen, Carlos Almaraz, Laurie Anderson, Eleanor Antin, Siah Armajani, Richard Artschwager, Conrad Atkinson, Alice Aycock, John Baldessari, Robert Barry, Jean-Michel Basquiat, Lynda Benglis, Joseph Beuys, Christian Boltanski, Jonathan Borofsky, Derek Boshier, Louise Bourgeois, Troy Brauntuch, Marcel Broodthaers, Joan Brown, Roger Brown, Chris Burden, Victor Burgin, Scott Burton, Jo Ann Callis, Peter Campus, Henry Chalfant, Louisa Chase, Sandro Chia, Francesco Clemente, Robert Colescott, Enzo Cucchi, Donna Dennis, Jane Dickson, Jiri Georg Dokoupil, Bernard Faucon, Rafael Ferrer, Eric Fischl, Vernon Fisher, Hamish Fulton, Charles Garabedian, Gilbert & George, Leon Golub, Robert Graham, Denise Green, Philip Guston, Hans Haacke, Keith Haring, Helen Mayer Harrison, Newton Harrison, Mariusz Hermanowicz, Nancy Holt, Jenny Holzer, Douglas Huebler, Jörg Immendorff, Neil Jenney, Anselm Kiefer, Edward Kienholz, Nancy Reddin Kienholz, Ken Kiff, Alain Kirili, Komar & Melamid, Joseph Kosuth, Jannis Kounellis, Barbara Kruger, Thomas Lanigan-Schmidt, Jean Le Gac, Les Levine, Sherrie Levine, Richard Long, Robert Longo, Markus Lupertz, Carlo Maria Mariani, Gordon Matta-Clark, Mario Merz, Duane Michals, Malcolm Morley, Ree Morton, Robert Moskowitz, Bruce Nauman, Hermann Nitsch, Isamu Noguchi, Jim Nutt, Dennis Oppenheim, Tom Otterness, Nam June Paik, Mimmo Paladino, Esther Parada, Ed Paschke, A. ... [details]
Exhibition catalogue published in conjunction with show held at the Ursula Blickle Stiftung, Kraichtal, Germany, June 8 - July 6, 1997. Traveled to the Kunstraum Innsbruck, July 12 - October 4, 1997. Essay by Peter Weiermair. ... [details]
Summer 1982 issue of Wedge magazine. Edited by Brian Wallis and Phil Mariani. Essays " "Put me on this train!" An interview with Joseph Beuys," by Art Papier; "The Enigma and Melancholy of Nostalgia," by Jonathan Crary; "Time," by Kathy Acker; "License Action (January 17-18, 1981) Who, me? I don't know nothing. ... [details]
Issue 3/4/5 of the periodical "Wedge." A special issue of "Wedge" that contains 14 separate books in one slipcase envelope. "This special edition of Wedge is devoted to the investigation of the viability of a politically engaged form of writing. ... [details]
