"Special Issue : Brand New York," of The Literary Review published in 1982 and edited by Gillian Greenwood. Contents include: "Editorial," by Lisa Appignanesi; "Between Two New Yorks," by Melvyn Bragg; "Manhattan Letter," by Elizabeth Hardwick; "New York Art: Seven Types of Ambiguity," by Hal Foster; "Urban Kisses," by John Ahearn, Mike Glier, Ken Goodman, Keith Haring, Robert Longo, Judy Rifka, Cindy Sherman; "On Being Scene: New York Fashions Its Steyle," by Michael Sorkin; "Philip Johnson's Post-Modernist Venture;" "Reflecting on Post-Modernism," an interview with Rosalind Krauss; "New York: Heroic City," by Rosetta Brooks; "A Hunger for Imagery," an interview with Brooke Alexander; "Graffiti in Well-Lit Rooms," by Suzi Gablik, includes artists statements and brief introductions to artists including Keith Haring, Jean Michel Basquiat, Wasp, Tim Rollins, Futura 2000, and Fab 5 Fred; "Laurie Anderson: Big Science and Little Men," by Stuart Morgan; "Crossing Over: The Streets, Clubs and Art," by Edit deAk; "New York Performs;" "From Dreamgirls to Satyagraha," an interview with Michael Feingold; "On My Efforts," by Richard Foreman; "Beyond the Theatrical Avant-Garde," by Richard Schechner; "Nuclear Theatre," by Bonnie Marranca; "Serialism, Spontaneity and Sass," by Robert Christgau; "Tailored for Television: The World of New York Video," by Arlene Zeichner; "Mean Streets, Dream Structures: New York Film," by J. ... [details]
Fall 1992 issue of October, edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Contents include: "Aesthetics and Anaesthetics: Walter Benjamin's Artwork Essay Reconsidered," by Susan Buck-Morss; "Ernst Jünger and the Transformed World," by Brigitte Werneburg; "Spiritual Reactionaries After German Reunification: Syberberg, Foucault, and Others," by Diedrich Diederichsen; "Kiefer in Berlin," by Andreas Huyssen; "Painting Negation: Gerhard Richter's Negatives," by Peter Osborne; "Moments of Interpretation," by Desa Philippi; "Hand-Made Photographs and Homeless Representation," by Thomas Crow; and "The Richter-Scale of Blur," by Gertrud Koch. [details]
Summer 1992 issue of October, edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Contents include: "Introduction: The Question of Identity," by John Rajchman; "Multiculturism and the Politics of Identity," by Joan Scott; "A Matter of Life and Death," by Cornel West; "Citizenship and Political Identity," by Chantal Mouffe; "Freedom's Basis in the Indeterminate," by Homi Bhabha; "Politics, Identification, and Subjectivization," by Jacques Ranciere; "The Inevitability of Nation: German Intellectuals After Unification;" "Universalism, Particularism, and the Question of Identity," by Ernesto Laclau; "Reflections on Identity," by Stanley Aronowitz; and "The Americans," by E. ... [details]
Issue edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman. Essays "The Rat's Ass," by Molly Nesbit; "The Unsecret Life: A Warhol Advertisement," by David James; "'Where Is Your Rupture?': Mass Culture and the Gesamtkunstwerk," by Annette Michelson; "Armor Fou," by Hal Foster; "From Detail to Fragment: Décollage Affichiste," by Benjamin H. ... [details]
Compendium of all eleven issues of the newspaper originally published by Fluxus Art Collective between January 1964 and March 1979 under various titles, and edited by The Fluxus Editorial Council for Fluxus. ... [details]
Exhibition catalogue published in conjunction with show held February 2 - March 14, 1998. Essays by Rosalind E. Krauss and Robert Smithson. [details]
Issue number 18 of the periodical October. Edited by Rosalind Krauss, Annette Michelson, Douglas Crimp, and Joan Copjec. Contents include: "Nausea and Noesis: Some Philosophical Problems for Sartre," by Arthur C. ... [details]
Inaugural issue of the periodical "October," published in the Spring of 1976. Edited by Jeremy Gilbert-Rolfe, Rosalind Krauss, and Annette Michelson. Contents include: "'Ceci n'est pas une pipe,'" by Michel Foucault; "The Carrot and the Stick," by Richard Foreman; "To the Distant Observer: Towards a Theory of Japanese Film," by Noël Burch; "The Giant on Giant-Killing," by Richard Howard; "Video: The Aesthetics of Narcissism," by Rosalind Krauss; "Gravity's Rainbow and the Spiral Jetty," by Jeremy Gilbert-Rolfe and John Johnston; "Star," by Jean-Claude Lebensztejn; and "Notes on Composing in Film," by Hollis Frampton. [details]
Fall 1994 themed issue of October dedicated to the work of Marcel Duchamp. Edited by Mignon Nixon. Contents include: "Introduction" by Benjamin H.D. Buchloh; "What's Neo about the Neo-Avant-Garde?" by Hal Foster; "Three Conversations in 1985: Claes Oldenburg, Andy Warhol, Robert Morris" by Benjamin H. ... [details]
Critical theory book about photography & surrealism written by Rosalind Krauss and Jane Livingston, with an essay by Dawn Ades. Artists include Hans Bellmer, Jacques-André Boiffard, Brassaï, Andre Breton, Claude Cahun, Salvador Dali, Marcel Duchamp, Nusch Eluard, Max Ernst, Georges Hugnet, André Kertész, Dora Maar, René Magritte, Léo Malet, Marcel Mariën, E. ... [details]
