Exhibition catalogue published in conjunction with show held May - September 1979. Edited by Christoph Stötzl. Artists include Josef Achmann, Eduard Aigner, Karl Arnold, Gustav Lörincz de Baranyai, Carl Johann Becker-Gundahl, René Beeh, Fritz Behn, Otthans Beier, Rudolf Belling, Karl Bertsch, German Bestelmeyer, Peter Birkenholz, Bernhard Bleeker, Albert Bloch, Georg Brenninger, Albert Burkart, Yorgo Busianis, Heinrich Campendonk, Felice Casorati, Karl Caspar, Maria Caspar-Filser, Fritz Claus, Oskar Coester, Eugen Maria Cordier, Lovis Corinth, Heinrich Maria Davringhausen, Julius Diez, Otto Dill, Erna Dinklage, Franz Doll, Heinrich Düll, Elk Eber, Josef Eberz, Eduard Ege, Henry Ehlers, Fritz Hellmuth Ehmecke, Heinrich Ehmsen, Edgar Ende, Julius Ussy Engelhard, Adolf Erbslöh, Fritz Erler, Ernesto de Fiori, Max Eschle, Max Fischbach, Alexander Fischer, Theodor Fischer, Hermann Geibel, Otto Geigenberger, Willi Geiger, Theodor Georgii, Franz Paul Glass, Erich Glette, Benjamin Godron, Georg Graessegger, Günther Graßmann, Rudolf Grossmann, Olaf Gulbransson, Hugo von Habermann, Hermann Hahn, Thomas Theodor Heine, Wilhelm Heise, Edwin Hermann Richard Henel, Josef Henselmann, Christian Hess, Julius Heß, Friedrich Heubner, Anton Hiller, Josef Hillerbrand, Käthe Hoch, Ludwig Hohlwein, Julius Hüther, Walter Jacob, Angelo Jank, Mary Kaemmerer, Alexander Kanoldt, Ludwig Kaspar, Hermann Keimel, Heinrich Kirchner, Karl Knappe, Fritz Koelle, Gertrud Kraut, Erwin von Kreibig, Alfred Kubin, Otto Gottlieb Konstantin von Kursell, Martin Lauterburg, H. ... [details]
Issue edited by Karen Beckman, Branden W. Joseph, Reinhold Martin, Tom McDonough, Felicity D. Scott. Essays "Murriana," by Daniel Heller-Roazen; "Living (and Dying) in the Other," by Heather Love; "Not-Forgetting: Mary Kelly's 'Love Songs,'" by Rosalyn Deutsche; "Actors/Agents: Bertolt Brecht and the Politics of Secrecy," by Eva Horn; "The Shantytown: Uku Hamba 'Ze! (To Walk Naked)," by Dina Al-Kassim; "Life Dull of Holes," by T. ... [details]
Exhibition catalogue published in conjunction with show held August 15 - November 22, 1987. Texts by Volker Hassemer, Eberhard Roters, Bernhard Schulz, Éva Bajkay, Ursula Prinz, Susanne Thesing, Kurt Winkler, and Eva Züchner. ... [details]
Winter 2006 issue edited by Karen Beckman, Branden W. Joseph, Reinhold Martin, Tom McDonough, and Felicity D. Scott. Includes the following texts: Reinhold Martin, "Architecture's Image Problem : Have We Ever Been Postmodern ; Andrea Fraser, "Why Does Fred Sandback's Work Make Me Cry?" ; Douglas Crimp, "Yvonne Rainer, Muciz Lover" ; Karen Blackmen, "Impossible Spaces and Philosophical Toys : An Interview with Zoe Beloff" ; and Parveen Adams, "Out of Sight, Out of Body : The Sugimoto / Demand Effect. ... [details]
Fall 2004 issue edited by Branden W. Joseph, Reinhold Martin, and Felicity D. Scott. Includes the following texts: Alexander Galloway and Eugene Thacker, "Protocol, Control, and Networks" ; Christopher Kelty and Hannah Landecker, "A Theory of Animation : Cells, L-Systems, and Film" ; Helene Furján, "Scenes from a Museum" ; James Meyer, "The Strong and the Weak : Andrea Fraser and the Conceptual Legacy" ; Dan Graham in conversation with Eric de Bruyn, "Sound is Material" ; and Bernard Tschumi in conversation with Enrique Walker, "Avant-Propos. ... [details]
"A collection of essays that examine the various points of exchange between architecture and the sciences from both historical and contemporary perspectives." - publisher's statement. Text by Antoine Picon, Alessandra Ponte, Denis Cosgrove, Edward Eigen, Martin Bressani, Georges Teyssot, Reinhold Martin, Peter Galison, Catherine Ingraham, Felicity D. ... [details]
Issue edited by Branden W. Joseph, Reinhold Martin, and Felicity D. Scott. Essays "War against the Center," by Peter Galison; "Organicism's Other," by Reinhold Martin; "The Mechanization of Cladding: The Reliance Building and Narratives of Modern Architecture," by Joanna Merwood; "Prominence Given, Authority Taken," an interview between Louise Lawler and Douglas Crimp; "Network Fever," by Mark Wigley. [details]
