March 1987 issue of Artforum, edited by Ingrid Sischy. Contents include: "The Opposite of Emptiness: On the Spirit in Art," by Thomas McEvilley; "Excuse Me Madame But It Seems To Me Unless I'm Mistaken That I've Met You Somewhere Before: A Conversation with Eugène Ionesco," by Sanda Miller; "Nine Beatitudes on Eight Pages: After 'Four Saints in Three Acts,' Another Act, with Pictures," by Ingrid Sischy; "Hans Haacke's Corporate Muse: 'Unfinished Business,'" by Jean Fisher; "The Sleeping Beauty in the Castle of Modern Art: A Slumberer Stirs," by Ida Panicelli; "Louise Bourgeois: Where Angels Fear to Tread, A Profile in Courage," by Donald Kuspit; "Museum Piece: Rain. ... [details]
May 1988 issue of Artforum, edited by Ida Panicelli. Contents include: "Ground Up," Herbert Muschamp on Architecture; "Special Effects," Carol Squiers on the News and It's Pictures; "Marginalia," Thomas McEvilley on Son of Sublime; "Believe it or Not," J. ... [details]
Issue edited by Ida Panicelli. Essays "Exits and Entrances: Maria Nadotti on Reinterpreting Chekov," by Maria Nadotti; "Remote Control: Barbara Kruger on Television," by Barbara Kruger; "Appetizers: Barbara Kirshenblatt-Gimblett on Edible Art," by Barbara Kirshenblatt-Gimblett; "Undertone: Scott Gutterman on Rhythm and Rage," by Scott Gutterman; "Books: Diedrich Diederichsen on Greil Marcus' European Dream," by Diedrich Diederichsen; "Icons at Large: Maureen Connor on Modesty," by Maureen Connor; "Another Alphabet: The Art of Marcel Broodthaers," by Thomas McEvilley; "On Fire: A Project for Artforum," by Nic Nicosia; "Critical Reflections," Cornel West; "Listen Carefully: The Mahabharata on Film," by Ida Panicelli; "Contents Under Pressure: Equipo Crónica," by Dan Cameron; "Hapless Figures in an Artificial Storm," by Max Kozloff; "Satanic Paintings: A Project for Artforum," by Mario Nigro; "Nancy Dwyer Makes Trubble," by Marcia Tucker. ... [details]
Exhibition catalogue published in conjunction with show held July 14 - September 2, 1984. Text by curator Hilary Gresty, Charles Harrison, and Victor Burgin with additional artists' statements and essays for each individual artist represented. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Issue edited by Ingrid Sischy. Essays "Remembrance of Objects Past," by Rosetta Brooks; "Andy Warhol: Top Gun and Brancusi," by J. Hoberman; "Flurries of Design," by Joost Elffers; "Decoding the Coating," by Seigow Matsuoka; "An Ornamented Joke," by Joyce Kozloff; "Representing Paper," by Sidney Tillim; "The Lovers," by Ulay & Marina Abramovic; "Art to the Power N," by Germano Celant; "Ground Up," by Herbert Muschamp; "Icons at Large," by Lisa Liebmann; "Objects," by Alessandro Mendini; "Like Art," by Glenn O'Brien; "A Canvas of Episodes," by Frederic Tuten; "The Cave," by Wolfram Schutte; "Speaker to Speaker," by Greil Marcus. ... [details]
Issue edited by Ingrid Sischy. Essays "Esthetics and Loss: AIDS," by Edmund White; "Imi Knoebel's Triangle: The Ecology of Nonobjectivity," by Donald Kuspit; "The Mirror Turned Lamp: Lily Tomlin and Jane Wagner defy the Forces of Gravity," by C. ... [details]
Issue edited by Ingrid Sischy. Essays "The Play's the Thing: The House that Bene's Built," by Franco Quadri; "Weavings: Anni Albers Reconciles the Hand and the Machine; Fifty Years Later, Jonathan Williams Picks Up Some Threads"; "Putty as a Picture: The By-products of a By-product," by Carlo McCormick; "On the Earth and in the Air: Panamarenko. ... [details]
Issue edited by Ingrid Sischy. Essays "Not Utopia: Jan Vercruysse: The Present Unclosed," by Pier Luigi Tazzi; "Three's a Company: James Ivory, Ismail Merchant, and Ruth Prawer Jhabvala Talk Talkies," by Anthony Korner; "Baptism: A Project for Artforum," by Jeff Koons; "Renovating the New: The Art of Lucio Fontana," by Jole de Sanna; "Black and White Light: Getting Home in Charcoal and Pastel," by John Yau; "Artist Envy: The Art of Interpretation and its Interpretation of the Artist," by Donald Kuspit; "A Song to the Avant-Garde: 'Tadeusz Kantor and the Duck, Robert Wilson Riding Hood, Un Mélange de Styles,' and Six More Plays by Kenneth Koch Here Staged on the Page in a Project for Artforum by Larry Rivers"; Book Preview: The sounds of Silents. ... [details]
Issue edited by Ingrid Sischy. Essays "Today Crossed Out," a Project for Artforum by Hanne Darboven with an Introcuction by Coosje van Bruggen; "Zarina's Balm: Objects of Exchange," by Lisa Liebmann; "Just Say Noh: The Esthetics of Banality," by Richard Goldstein; "Enter Elliott Erwitt"; "Time Bandits, Space Vampires," by Thomas Lawson; "Ostentatious Perfectionism: Four-Color Whites, 'One Hundred Flowers,' Georgia O'Keefe. ... [details]