Exhibition catalogue published in conjunction with show "The Museum as Site : Sixteen Projects," the second exhibtion in the two-part exhibition "Art in Los Angeles," held July 21 - October 4, 1981. Curated by Stephanie Barron. ... [details]
![Journal [LAICA Journal]](/objects/images/s39821.jpg "Journal [LAICA Journal]")
Summer 1981 issue of Journal. Edited by Bridget Johnson. Contents include: "An Interview with Robert Flick," by Susan C. Larsen; "You Can't Get Then from Now: I. Oskar Fischinger, II. The Whitney Brothers" by William Moritz; "Bastian Cleve: Stranger in a Strange Land," by Douglas Edwards; "Tom Lesser: Coming into View," by Paul Arthur; "An Interview with Jean-Pierre Gorin," by Amy Taubin; "Taking Up Space: Brakhage, Snow and David Wilson," by Grahame Weinbren; "Light and Lost Bells: The Films of Chick Strand," by David James; "Now You See Them; Now You Don't: The Distributions and Exhibition of the Avant-Garde Film in Los Angeles," by Samir Hachem; " "No One Can Stop Me!" An Interview with John Dorr," by Mitch Tuchman; and "Pedagogic Transformations," by Robert Janz. ... [details]
![Journal [LAICA Journal]](/objects/images/s20404.jpg "Journal [LAICA Journal]")
February/March 1980 issue of Journal. Edited by Bridget Johnson. Contents include: "Video Art in Southern California," by Louise Lewis; "VD Lives/TV Must Die," by Vito Acconci; "Mass Media and the Artist: A Conversation with Gene Youngblood, Tamara Tovey, John Riddler and David Ross," by Davis Ross; "Interview with Eleanor Antin," Dinah Portner; "ADP: An Answer Driving the Problem," by James Hugunin; "The Regime of the Video State," by John Riddler; "The Holland Race," by Robert Morgan; "Film Space: A Preliminary Sketch," by Grahame Weinbren; "Painting: Americans in Paris," by Francis Colpitt; "Performance: What Can Happen, What Does Happen: The Kipper Kids," by Fredrica Drotos; "Photography: Count Dracula in the Olive Grove," by John Brumfield; "Photography: A Growth Investment," by Dr. ... [details]
Exhibition catalogue published in conjunction with show held in five venues: YM / YWHA, Philadelphia, March 13 - 31, 1968 ; Contemporary Arts Center, Cincinnati, April 25 - May 19 ; Lakeview Center, Peoria, Illinois, June 7 - 28 ; University Art Museum, Berkeley, January 13 - February 16, 1969 ; and Lamont Gallery, Phillips Exeter Academy, Exeter, New Hampshire, February 25 - March 18, 1969. ... [details]
Exhibition catalogue published in conjunction with show "Neiman-Warhol" held in 1981. Curated and with text by Robert L. Smith. Additional text by Jeff Perrone, F. Lanier Graham, and Lynn Thorpe McAllister. ... [details]
Exhibition catalogue published in conjunction with show held at Institute of Contemporary Art, University of Pennsylvania, January 17 - February 28, 1975. Traveled to The Contemporary Arts Center, Cincinnati, OH, March 22 - May 30, 1975 ; Museum of Contemporary Art, Chicago, IL, June 28 - August 31, 1975 ; and the Wadsworth Atheneum, Hartford, CT, September 17 - November 2, 1975. ... [details]
Large-scale examination of the conceptual art network in its years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
Exhibition catalogue published in conjunction with show of texts and text-based works written and sent by the artists to the Museum Dhondt-Dhaenens, Deurle, Belgium, where they were exhibited from July 11 - August 12, 1973. ... [details]
May 1970 issue of Studio International. Edited by Charles Harrison. Contents include: "In the Land of My Own Vision," by Henryk Gotlib; "Gilbert & George," by Michael Moynihan; "An Interview with Buckminster Fuller," by Jonathan Benthall; Four Sculptors (Part 2): Picasso Cubist Constructions," by William Tucker; "Sociology of an Art Boom: I-The Background to the Flourishing German Art Market" and "II From Survival to Success: An Interview with Hans-Jürgen Müller," by Robert Kudielka; "Liberman: The Art of Amplitude," by Gene Baro; "Robert Graham's Boxes," by Helene Winer; "A Magazine Sculpture," by Gilbert & George which includes "Underneath the Arches (The most intelligent fascinating serious and beautiful art piece you have ever seen)" and the censored "George the [cunt] / Gilbert the [shit]" magazine sculptures ; "Miró's Sculptures," by John Russell; "Victorians at Manchester," by Mark Haworth-Booth; "Martin Bloch Re-Assessed," by Ronald Alley. ... [details]
This issue of Studio International contains a 48-page "exhibition" organized by Seth Siegelaub: "The content of the 48-page exhibition in this issue was organized by requesting six critics to each edit an 8-page section of the magazine, and in turn, to make available their section to the artist(s) that interest them. ... [details]
