![Journal [LAICA Journal]](/objects/images/s20308.jpg "Journal [LAICA Journal]")
Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. ... [details]
Winter 1980/1981 issue of the quarterly periodical Cover, edited by Judith Aminoff. Contents include: "The Heart of the Pigeon," by Henry Korn; "Conversation," a conversation between Marcia Hafif, Olivier Mosset, Howard Smith, and Jerry Zeniuk; "Currents," artwork by Christian Poveda, Shirly Pu & R. ... [details]
Critical / photographic book by Germano Celant documenting the so-called "Art Povera / Arte Povera" movement. Includes short text followed by photographs for each artist: Walter de Maria, Michelangelo Pisteletto, Stephen Kaltenbach, Richard Long, Mario Merz, Douglas Huebler, Joseph Beuys, Eva Hesse, Michael Heizer, Ger van Elk, Lawrence Weiner, Luciano Fabro, Bruce Nauman, Joseph Kosuth, Jan Dibbets, Giovanni Anselmo, Robert Barry, Pier Paolo Calzolari, Dennis Oppenheim, Barry Flanagan, Robert Smithson, Giulio Paolini, Reiner Ruthenbeck, Alighiero Boetti, Giuseppe Penone, Franz Erhard Walther, Hans Haacke, Gilberto Zorio, Robert Morris, Marinus Boezem, Carl Andre, Emilio Prini, Richard Serra. ... [details]
Vinyl 33-1/3 LP record issued as the exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. ... [details]
Fall 1975 issue of Art-Rite, on Performance, edited by Edit deAk and Walter Robinson. Contents include: "Warm-Up," by David Antin; "Ralston Farina," by A.R.; "A Few Things We Know About Her," by John Howell; "Performance: A comment from Outside," by Jeremy Gilbert-Rolfe; "Performance: State of the Art in Arts," by John Howell; "Camoflage: Films by Holt & Horn," by Lucy R. ... [details]
Exhibition catalogue published in conjunction with show held in five venues: YM / YWHA, Philadelphia, March 13 - 31, 1968 ; Contemporary Arts Center, Cincinnati, April 25 - May 19 ; Lakeview Center, Peoria, Illinois, June 7 - 28 ; University Art Museum, Berkeley, January 13 - February 16, 1969 ; and Lamont Gallery, Phillips Exeter Academy, Exeter, New Hampshire, February 25 - March 18, 1969. ... [details]
Exhibition catalogue published in conjunction with show held at Institute of Contemporary Art, University of Pennsylvania, January 17 - February 28, 1975. Traveled to The Contemporary Arts Center, Cincinnati, OH, March 22 - May 30, 1975 ; Museum of Contemporary Art, Chicago, IL, June 28 - August 31, 1975 ; and the Wadsworth Atheneum, Hartford, CT, September 17 - November 2, 1975. ... [details]
Exhibition catalogue and documentation of preparation for exhibition held in 1971. Large-scale book documenting the thrills and chills of when artists and scientists [or corporations] joined together by the Los Angeles County Museum of Art attempted to produce collaborative works. ... [details]
Exhibition catalogue published in conjunction with show held February - April 1978. Introduction by James Elliott and Michael Auping. Artists include Ursula Schneider, Ree Morton, Susan Rothenberg, James Lee Byars, William Wegman, Kim MacConnel, Ron Gorchov, Dianne Blell, Jon Borofsky, Megan Williams, Jay DeFeo, William de Kooning, Jim Pomeroy, M. ... [details]
Large-scale examination of the conceptual art network in its years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
