![Journal [LAICA Journal]](/objects/images/s20308.jpg "Journal [LAICA Journal]")
Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. ... [details]
![Journal [LAICA Journal]](/objects/images/s39811.jpg "Journal [LAICA Journal]")
Special collaborative issue of Journal and the periodical 4 Taxis, published in Winter 1983 [or Winter 1984 ?]. Edited by Cindy Berry. Contents include: "Architecture on Film: Mallet-Stevens to Meerson," by Donald Albrecht; "Confrontational Icons," by Robert Pincus; "Losing Your Hands: Part I, II and III," by Lane Relyea; "Future Video: Max Almy," by Louise Lewis; "TV's Past Exposed," by Beverly O'Neill; and "4 Taxis. ... [details]
Spring 1975 issue of Art-Rite focused on Painting, edited by Walter Robinson and Edit deAk. Contents include: "Conventional Wisdom"; "Untitled Statement," by Jeremy Gilbert-Rolfe; "Painting Matters," by Lucio Pozzi; "On Jumping," by David Reed; "On Intermediate Cases," by David Reed; "Random Notes on Painting From A Critic's Daybook," by Robert Pincus-Witten; "The Whitney Biennial," by Anthony Mascatello; "A Pained Expression," by Dennis Kardon; "About Painting," by Lawrence Alloway; "Photographic Realism," by The Staff; "Lilly Brody"; "John Mendelsohn"; "Nancy Spero"; "Julian Schnabel"; "Evriah Bader"; "Peter Grass"; "Niel Jenney:" "Painters (Group One)"; "Bruce Boice (with Irving Sandler)"; "Painters (Group Two)"; "Conversation with Brice Marden. ... [details]
Accordion fold exhibition brochure published in conjunction with show held [May 20 - August 26], 2017. Essay by Robert L. Pincus. Includes exhibition checklist. [details]
December 1972 issue of Artforum, edited by John Coplans. Contents include: "Mel Bochner: The Constant as Variable," by Robert Pincus-Witten; "American Geometric Abstraction in the Late Thirties," by John Elderfield; "Oskar Schlemmer Sculpture," by Karin von Maur; "Notes on Recent Dance," by Don McDonagh; "Pivot," by Robert Dunn; "Performance, A Conversation," by Stephen Koch; "A Note on Bernhard and Hilla Becher," by Carl Andre; "Man Ray as Film Maker," by Steven Kovács; "Los Angeles: The Ecology of Evil, " by Peter Plagens; "Bonnard Drawings," by Joseph Masheck; and "Reviews," by Joseph Masheck, April Kingsley, Bruce Boice, Lizzie Borden, and Carter Ratcliff. ... [details]
January 1972 issue of Artforum, edited by John Coplans. Contents include: "On Albers' Color," by Margit Rowell; "A Note on Dan Flavin," by Kenneth Baker; "A Better World in Birth," by Joseph Masheck; "Chuck Ginnever," by Kenneth Baker; "Boston Painting 1880-1930," by Jerrold Lanes; "Cork: Irish Painting in the 19th Century," by John Elderfield; "New Work of Helen Frankenthaler," by Kermit S. ... [details]
November 1974 issue of Artforum, edited by John Coplans. This is the issue of Artforum that includes the (in)famous Lynda Benglis "dildo photograph" advertisement. Contents include: "Skyscraper Style: Art Deco New York," by Cervin Robinson and Rosemarie Bletter; "John Storrs, Early Sculptor of the Machine Age," by Abraham A. ... [details]
Exhibition catalogue published in conjunction with the first retrospective show of the works of John Baldessari, held in two parts : "John Baldessari: Work 1966 - 1980," held at the New Museum, New York, Part I: March 14 - April 4, 1981 and Part II: April 8 - 28, 1981. ... [details]
Exhibition catalogue published in conjunction with show held March 30 - May 29, 1999. Contains lengthy essay by Robert Pincus-Witten. Fully illustrated with vintage photographs of Marden in studio and full-page illustrations of works within exhibition. ... [details]
Critical study on the influence of Duchamp upon the West Coast art world. Introduction by Bonnie Clearwater, texts by Naomi Sawelson-Gorse, Dickram Tashjian, Walter Hopps, Robert L. Pincus, and John Campbell. ... [details]
