Fall 1985 issue of JOURNAL, edited by Lane Relyea. Edited by Jeremy Gilbert-Rolfe and John Johnston. Contents include: "Multiplicity, Proliferation, Reconvention," by Jeremy Gilbert-Rolfe and John Johnston; "Two Crowds with Shape of Reason Missing," by John Baldessari; "Century," by Robert Ryman; "To a Swan," by David Shapiro; "Multiplicity, Proliferation, Reconvention," The Editors; "Idea as Multiplicity," by Gilles Deleuze; "On Line," by Peter Halley; "Notes on the Kaleidoscope and Stereoscope," by Jonathan Crary; "Thomas Nozkowski: Painting and Proliferation," by Joseph Masheck; "Mass, Crowd and Pack," by Michel Feher; "Lui/un Autre," by Gary Parent; "Some Notes on Proliferation, Process, History," by Sandy Cohen; "Nature," by Kimball Lockhart; "False Works," by Gregory Rukavina; "L'enfant-Bulle," by Jean Baudrillard; "America's Borders Are Everywhere," by Allan Sekula; "The Ditmarsh Tale of Lies," by the brothers Grimm; "To a Swan," a poem by David Shapiro; "Travelog: Excerpts from Plato's Cave, Rothko's Chapel, Lincoln's Profile," by Mike Kelley; "Feature: Multiplicity, Proliferation, Reconvention," edited by Jeremy Gilbert-Rolfe, and Johnston; "Dialog: The Procession of Undine," by T. ... [details]
Spring 1975 issue of Art-Rite focused on Painting, edited by Walter Robinson and Edit deAk. Contents include: "Conventional Wisdom"; "Untitled Statement," by Jeremy Gilbert-Rolfe; "Painting Matters," by Lucio Pozzi; "On Jumping," by David Reed; "On Intermediate Cases," by David Reed; "Random Notes on Painting From A Critic's Daybook," by Robert Pincus-Witten; "The Whitney Biennial," by Anthony Mascatello; "A Pained Expression," by Dennis Kardon; "About Painting," by Lawrence Alloway; "Photographic Realism," by The Staff; "Lilly Brody"; "John Mendelsohn"; "Nancy Spero"; "Julian Schnabel"; "Evriah Bader"; "Peter Grass"; "Niel Jenney:" "Painters (Group One)"; "Bruce Boice (with Irving Sandler)"; "Painters (Group Two)"; "Conversation with Brice Marden. ... [details]
Large-scale exhibition catalogue published in conjunction with show "The Love of Art Comes First: Art & Project at the Kröller-Müller Museum," held at Kröller-Müller Museum, Netherlands, September 30, 2023 - February 25, 2024. ... [details]
Large-scale examination of the conceptual art network in its years of inception, 1967, though to the time at which it had become highly formalized, 1977. An exacting examination by Sophie Richard, edited by Lynda Morris after Richard's unfortunate death. ... [details]
Exhibition catalogue published in conjunction with show of texts and text-based works written and sent by the artists to the Museum Dhondt-Dhaenens, Deurle, Belgium, where they were exhibited from July 11 - August 12, 1973. ... [details]
Folded poster / announcement published in conjunction with the inaugural exhibition at P.S.1 held June 10 - 26, 1976 featuring site specific installations in the rooms of the then largely un-renovated building. ... [details]
Exhibition catalogue published in conjunction with inaugural exhibition held at P.S. 1, June 9 - 26, 1976, featuring site-specific installations in the rooms of the then largely unrenovated building. The publication includes brief text by participating artists; executive director, Alanna Heiss; and program director, Linda Blumberg; with installation images and images of artists installing their works. ... [details]
2006 facsimile edition of the exhibition catalogue published in conjunction with the show "Villa Jelmini - The Complex of Respect," held January 28 - March 26, 2006. This catalogue is a fateful reproduction of the catalogue originally published in conjunction with the show held March 22 - April 27, 1969. ... [details]
Exhibition catalogue published in conjunction with show held February 17 - March 1, 1998. Preface by Lord Hindlip, introduction by Richard Francis, texts by Marianne Heinz, Phyllis Tuchman, James Meyer, Harald Szeemann, and Scott Burton. ... [details]
Exhibition catalogue published in conjunction with show held at Fondazione Prada, ca' Corner della Regina, Venice, Italy, June 1 – November 3, 2013. Exhibition was based on the original 1969 show—"Live in Your Head : When Attitudes Become Form : Works, Concepts, Processes, Situations, Information / wenn Attitüden Form werden : Werke, Konzepte, Vorgänge, Situationen, Information / quand les attitudes deviennent forme : oeuvres, concepts, processus, situations, information / quando attitudini diventano forma : opere, concetti, processi, situazioni, informazione"—held at Kunsthalle Bern, Bern, Switzerland, March 22 - April 27, 1969, curated by Harold Szeemann. ... [details]