Exhibition catalogue published in conjunction with show held at Emerson Gallery, Hamilton College, Clinton, NY, January 20 - March 15, 1992. Traveled to Center on Contemporary Art, Seattle, WA, June 19 - August 8, 1992 ; Sharadin Art Gallery, Kutztown University, Kutztown, PA ; Musée d'Art Contemporain de Montréal, Quebec, Canada ; Bass Museum of Art, Miami Beach, FL, February 12 - April 1993 ; McKissick Museum, The University of South Carolina, Columbia, SC, May 15 - July 15, 1993 ; Fine Art Gallery, Indiana University, Bloomington, IN, September 3 - October 23, 1993 ; Santa Barbara Contemporary Arts Forum, Santa Barbara, CA, November 6, 1992 - December 23, 1993 ; Grey Art Gallery and Study Center, New York University, New York, NY, January - February 1994. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]