Exhibition catalogue published in conjunction with show held at the Pollock-Krasner House and Study Center, East Hampton, NY, July 31 - October 31, 1997. Traveled to The Peggy Guggenheim Collection, Venice, Italy, February 8 - May 17, 1998. ... [details]
Single sided folded exhibition announcement poster published in conjunction with show held June 5 - 26, 1971. Artists include Curt Barnes, Benedetto Bianchi, Thomas Blackwell, Jack Bosson, Marvin P. Brown, Steve Conley, Warren Davis, Jackie Ferrara, G. ... [details]
Correspondence Between Ronny Cohen, Joan Crawford, Morton L. Janklow, Ryosuke Cohen and Ray Johnson. Includes a note from Morton L. Janklow dated July 30, 1981 that reads "Dear Mr. Cohen: Ray Johnson asked me to forward this to you" paper clipped to a photocopy of a letter from Joan Crawford to Ray Johnson dated August 26, 1971 housed in an envelope from the law offices of Janklow, Traum & Klebanoff addressed to Ronny Cohen and postmarked 1981. ... [details]
Exhibition catalogue published in conjunction with show of "SMS: The Portable Museum of Original Multiples in 6 Portfolios Published in 1968 by The Letter Edged in Black Press," held October 11 - December 11, 1988. ... [details]
Set of six envelopes and their contents plus one loose leave page sent from Ray Johnson to Ronnie Cohen. Includes: (1) Ray Johnson review by John Russell featuring an original drawing of a frog in teal color pencil; photocopy of a page of ads featuring Johnsons ad "Ray Johnson no gallery;" photocopy of flyer for a group show at Batman Gallery in San Francisco; photocopy of a review of a mail art show at Focus Gallery in Detroit by Joy Hakanson Colby ; (2) a photocopy of an e. ... [details]
Exhibition catalogue published in conjunction with show held March 13 - September 26, 2005. Curated by Klaus Biesenbach, Alanna Heiss, Glenn Lowry, Bob Nickas, Amy Smith-Stewart and Ann Temkin. Introduction and text by Klaus Biesenbach. ... [details]
Issue edited by Ingrid Sischy. Essays "In Between the Dark and the Light (Television/Society/Art: A Symposium)," by Constance DeJong; "Dividing the Light from the Darkness (james Turrell)," by Kay Larson; "Keith Sonnier's Pictograms," by Ted Castle; "Futurism and the Occult," by Germano Celant; "Futurism and Musical Notes," by Daniele Lombardi; "Some Posters from Fashion Moda"; "The Unhappy Consciousness of Modernism," by Donald B. ... [details]
Issue edited by Ida Panicelli. Essays "Ground Up: Herbert Muschamp on Architecture," by Herbert Muschamp; "Exits and Entrances: Leonetta Bentivoglio on Pina Bausch's 'Palermo, Palermo,'" by Leonetta Bentivoglio; "Special Effects: Carol Squiers on Images from the Panamanian Invasion," by Carol Squiers; "The Cave: Jeanne Silverthorne on 'The Cook, The Thief, His Wife & Her Lover," by Jeanne Silverthorne; "Slant: Lynne Tillman on The Autobiography of Eve," by Lynne Tillman; "Critical Fictions: Rosetta Brooks on 'IPSODEFACTO,'" by Rosetta Brooks; "Untitled: A Project for Artforum," by David Salle; "Rites and Sites: Hans Hollein," by Germano Celant; "All Our Yesterdays," by Donald Kuspit; "After H. ... [details]
Issue edited by Ida Panicelli. Essays "Curies Children: Vilém Flusser on Popes," by Vilém Flusser; "Special Effects: Carol Squiers on Truth Value," by Carol Squiers; "Commedia Dell'A: Homoeroticism Blues, A Project for Artfourm," by Howard Cruse; "Like Art: Glenn O'Brien on Luxury," by Glenn O'Brien; "Ground Up: Herbert Muschamp on California Archictecture," by Herbert Muschamp; "Critical Fictions: Clive Phillpot on Changing of the Garde," by Clive Phillpot; "Slant: David Frankel on a Czechered History," by David Frankel; "A Drawing Page: Untitled: A Project for Artforum," by Jim Dine; "Seeing the Scene: With 'Baptism of Solitude,' A Project for Artforum," by Karl Johnson; "Temptation," by Kenneth Baker; "Oil and Water: With 'Oil Rooms,' a project for Artforum," by Per Barclay; "The Obligatory Bed Piece: Jessica Stockholder," by Jack Bankowsky; "Critical Reflections," by Kay Larson; "A Theory of Everything: Meditations on Total Chaos," by Vivian Sobchack; "Hujar," by Max Kozloff. ... [details]