Fall 1992 issue of October, edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Contents include: "Aesthetics and Anaesthetics: Walter Benjamin's Artwork Essay Reconsidered," by Susan Buck-Morss; "Ernst Jünger and the Transformed World," by Brigitte Werneburg; "Spiritual Reactionaries After German Reunification: Syberberg, Foucault, and Others," by Diedrich Diederichsen; "Kiefer in Berlin," by Andreas Huyssen; "Painting Negation: Gerhard Richter's Negatives," by Peter Osborne; "Moments of Interpretation," by Desa Philippi; "Hand-Made Photographs and Homeless Representation," by Thomas Crow; and "The Richter-Scale of Blur," by Gertrud Koch. [details]
Summer 1992 issue of October, edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, and John Rajchman. Contents include: "Introduction: The Question of Identity," by John Rajchman; "Multiculturism and the Politics of Identity," by Joan Scott; "A Matter of Life and Death," by Cornel West; "Citizenship and Political Identity," by Chantal Mouffe; "Freedom's Basis in the Indeterminate," by Homi Bhabha; "Politics, Identification, and Subjectivization," by Jacques Ranciere; "The Inevitability of Nation: German Intellectuals After Unification;" "Universalism, Particularism, and the Question of Identity," by Ernesto Laclau; "Reflections on Identity," by Stanley Aronowitz; and "The Americans," by E. ... [details]
Issue edited by Rosalind Krauss, Annette Michelson, Joan Copjec, Yve-Alain Bois, Benjamin H.D. Buchloh, Hal Foster, Denis Hollier, John Rajchman. Essays "The Rat's Ass," by Molly Nesbit; "The Unsecret Life: A Warhol Advertisement," by David James; "'Where Is Your Rupture?': Mass Culture and the Gesamtkunstwerk," by Annette Michelson; "Armor Fou," by Hal Foster; "From Detail to Fragment: Décollage Affichiste," by Benjamin H. ... [details]
Critical theory book about photography & surrealism written by Rosalind Krauss and Jane Livingston, with an essay by Dawn Ades. Artists include Hans Bellmer, Jacques-André Boiffard, Brassaï, Andre Breton, Claude Cahun, Salvador Dali, Marcel Duchamp, Nusch Eluard, Max Ernst, Georges Hugnet, André Kertész, Dora Maar, René Magritte, Léo Malet, Marcel Mariën, E. ... [details]
The Thursday, January 28, 2021 issue of the New York Times featuring a letter to the editor titled "'Conspiracy Fantasy'" by Rosalind Krauss. "The ubiquitous use of 'conspiracy theory' referring to the circulation on the web of dark plots within government is itself misinformation. ... [details]
Exhibition poster published in conjunction with show held at Pace Gallery, New York, January 7 - 25, 1964. Traveled to Pace Gallery, Boston, February 16 - March 11, 1964. Artists included Rosalyn Drexler, Al Hansen, Herb Hazelton, Ben Johnson, Gerald Laing, Roy Lichtenstein, Mel Ramos, Marjorie Strider, Andy Warhol, and Tom Wesselmann. [details]
Critical theory essay on new representational art by Rosalind Constable, dated February 1, 1962. The essay uses a December 31, 1962 article by Paul Berg from The St. Louis Dispatch as a jumping off point to discusses three artists working in representation: James Rosenquist and Roy Lichtenstein, mentioned by Berg, while Constable adds Andy Warhol to the conversation. ... [details]
Program for "The Writer's Opera" by Rosalyn Drexler and directed by John Vaccaro at the Theater for the New City in [1979]. Includes short biographies for Rosalyn Drexler, John Vaccaro, Gordon Bressac, Marie Antoinette Rogers, Crystal Field, Nameer El-Kadi, Madeleine le Roux, Naseer El-Kadi, Joe Pichette, Bill Rice, John Albano, John Braden, Wes Cronk, Charles Embry, Bernard Roth, June Ekman, Steve Reed. [details]
Critical theory essay, "Some Notes on the Current Art Magazines," by Rosalind Constable, dated March 15, 1961. The essay suggests that American critics have an open hostility toward the art of the New York School of artists, and as a result the only way to gain an understanding of what was happening in the New York scene was through art magazines published abroad. ... [details]
Critical theory essay on pop art by Rosalind Constable, dated October 29, 1962. The essay discusses the turning away from abstract expressionism toward pop art, or "The New Realism," illustrated with images of the work of British pop artists Peter Phillips, John Latham, Patrick Hughes, Richard Hamilton, Derek Boshier, R. ... [details]
