Exhibition catalogue published in conjunction with show held December 13, 1961 - February 4, 1962. Artists included in the exhibition are Pat Adams, Josef Albers, Ivan Albright, Milton Avery, Rudolf Baranik, Robert Barnes, Will Barnet, William Baziotes, Janice Biala, Elmer Bischoff, Isabel Bishop, Peter Blume, Seymour Boardman, Ilya Bolotowsky, Ernest Briggs, Robert Broderson, James Brooks, Charles Burchfield, Paul Cadmus, Lawrence Calcagno, Nicolas Carone, Edmund Casarella, Giorgio Cavallon, Carmen Cicero, Carroll Cloar, Edward Corbett, Ralston Crawford, Nassos Daphnis, Stuart Davis, Elaine de Kooning, Richard Diebenkorn, Enrico Donati, Jimmy Ernst, Philip Evergood, Perle Fine, Seymour Fogel, Sam Francis, Helen Frankenthaler, Jared French, Elaine Galen, Lee Gatch, Thomas George, Paul Georges, Edward Giobbi, Joseph Glasco, Michael Goldberg, Sidney Goodman, Robert Goodnough, Adolph Gottlieb, Morris Graves, Cleve Gray, Balcomb Greene, Stephen Greene, Philip Guston, Grace Hartigan, John Heliker, Margo Hoff, Hans Hofmann, Carl Holty, Edward Hopper, Angelo Ippolito, Paul Jenkins, Jasper Johns, Wolf Kahn, Ellsworth Kelly, William Kienbusch, Franz Kline, Karl Knaths, Yayoi Kusama, Jacob Lawrence, Alfred Leslie, Jack Levine, Denver Lindley, Michael Loew, David Lund, Loren Maciver, Leo Manso, Conrad Marca-Relli, Nicholas Marsicano, Richard Mayhew, Gerald McLaughlin, George McNeil, Samuel M. ... [details]
Exhibition catalogue published in conjunction with show of the personal art collection of Juliana Force held at the Whitney Museum of American Art, September 24 - October 30, 1949. Text by Juliana Force, Herman More, Lloyd Goodrich, John Sloan, Guy Pène du Bois, Alexander Brook, Forbes Watson. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Reference catalogue of the American art collection at Smith College. Contributions by Linda Muehlig, Cynda L. Benson, Deborah Chotner, Kristen Erickson, Elizabeth C. Evans-Iliesiu, Betsy B. Jones, Patricia Junker, Elizabeth Mankin Kornhauser, Linda Merrill and Daniel J. ... [details]
Exhibition catalogue published in conjunction with show held October 23 - December 15, 2000. Essays by Catherine Tedford, Gary D. Sampson and Esther Parada, further contributions by Michael Hoffman, Mark C. ... [details]