Book of critical theory outlining the intersection of mediums in art after 1950. Edited by Gerald Woods, Philip Thompson and John Williams. Artists include Valerio Adami, Michelangelo Antonioni, Dennis Bailey, Saul Bass, Lester Beall, Max Bill, Derek Birdsall, Jan Bons, Walerian Borowczyk , Mark Boyle, Bill Brandt, Robert Brownjohn, Alberto Burri, Pol Bury, Mel Calman, Antonio Carena, Eugenio Carmi, Mario Ceroli, Chermayeff and Geismar, Christo, Chryssa, Roman Cieslewicz, Giulio Cittato, Bob Cobbing, Crosby / Fletcher / Forbes, Wim Crouwel, Allan D'Arcangelo, Rudolph De Harak, Eric De Maré, Walter de Maria, Feder, Jean-Michel Folon, Lucio Fontana, André François, Anthony Froshaug, Geoffrey Gale, Pietro Gallina, Frank Gallo, Winfred Gaul, Juan Genoves, Jean-Luc Godard, Franco Grignani, Richard Hamilton, Dick Higgins, David Hockney, Dom Sylvester Houédard, John Kaine, William Klein, Ferdinand Kriwet, Jan Lenica, Sol LeWitt, Romek Marber, Robert Massin, Hansjorg Mayer, Raymond Moore, Joseph Müller-Brockmann , Siegfried Odermatt, Rosemarie Tissi, Claes Oldenburg, Giovanni Pintori, Michelangelo Pistoletto, Paul Rand, Robert Rauschenberg, Roger Raveel, Alain Robbe-Grillet, Diter Rot, Hans Schleger, Peter Schmidt, Richard Smith, Stefan and Franciszka Themerson, Jan Tschichold, Stan Vanderbeek, Tom Wesselmann, Kurt Wirth, Henry Wolf and Edward Wright. ... [details]
Exhibition catalogue published in conjunction with show held at the Contemporary Arts Center, Cincinnati Art Museum. Traveled to the Institute of Contemporary Art, Boston; the Currier Gallery of Art, Manchester, New Hampshire; the American Institute of Graphic Arts, New York; the Akron Art Institute; the Milwaukee Art Institute; the Art Center in La Jolla, California; and the San Francisco Museum of Art. ... [details]
