Exhibition catalogue published in conjunction with show held July 14 - September 2, 1984. Text by curator Hilary Gresty, Charles Harrison, and Victor Burgin with additional artists' statements and essays for each individual artist represented. ... [details]
"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]
Exhibition catalogue published in conjunction with show held March 28 - April 19, 1969. Artists in the exhibition include Ray Johnson, Michael Morris, Michael Rhodes, Edwin Varney, Ian Hamilton Finlay, Stephen Scobie, Ian Wallace, Tristan Tzara, Eugen Gomringer, Paul Klee, Hans Arp, George Grosz, Man Ray, Guillaume Apollinaire, Stephen Mallarmé, Kurt Schwitters, Ilya Zdanevich, Pierre Albert-Biret, Stephen Bann, Carlo Belloli, Bill Bissett, Claus Bremer, Klaus Burkhardt, Henri Chopin, Hans Clain, Bob Cobbing, Judith Copithorne, M. ... [details]
Parachute magazine of contemporary art, 29th issue released Winter 1982-1983. Essays include: "The Enduring of the Artsystem," by Gary Kibbins; "Deassaisissement et Réappropriation : De L'émergence du "Photographique" dans l'art Américain," by Guy Bellavance; "Colour Video/ Vulgar Potential," by Peggy Gale; "Colin Campbell," interview by Peggy Gale; "L'éloquence des Moyens: Aperçu des Peintures de Jean-Marie Martin," by Paul-Albert Plouffe; "Andrew Jackson," by Stephen Horne; "Mirrorings," by V. ... [details]