Heresies issue on women and violence. Essays "Pink Victory," by Sharon Thompson; "The Vicki Tapes," by Martine Barrat; "August 2nd," by Lou McDonald; "With No Immediate Cause," by Ntozake Shange; "The Evolution of a Violent Act," by Paula Grey; "Politics of Rape in Primitive Society," by Paula Webster; "Dialogue with a Rapist," by Batya Weinbaum; "Dialogue with the Author," by Claire Pajaczkowska and Batya Weinbaum; "Codex Artaud XVII," by Nancy Spero; "Happy New Year: An Album of Violence (Excerpt)," by Stephanie Oursler; "The Pleasure Outing," by Anita Page; "The Violence of Power: The Genital Mutilation of Females," by Fran P. ... [details]
Special painting issue edited by John Coplans. Essays "'Painters Reply," by Rudolf Baranik, Gene Davis, Stephen Greene, Buffie Johnson, Wolf Kahn, R.B. Kitaj, Terence La Noue, Ellen Lanyon, Adele Leonard, Allan McCollum, Dona Nelson, Pat Passlof, Tony Robbin, Jim Roche, Edwin Ruda, Peter Saul, David Simpson, Joan Snyder, Paul Staiger, May Stevens, Sidney Tillim, John Torreano, Mario Yrissary; "Painting and Anti-Painting: A Family Quarrel," by Max Kozloff; "Painting and the Struggle for the Whole Self," by Andrew Forge; "Patterns, Grids, And Painting," by Amy Goldin; "Remarks on Their Medium by Four Painters," by Pat Adams, Nancy Graves, Budd Hopkins, Irving Petlin: "None Dare Call it Boho," by Peter Plagens. ... [details]
Issue edited by John Coplans. Essays "The Great Curatorial Dim-Out," by Lawrence Alloway; "Accumulation: Power and Display in African Sculpture," by Arnold Rubin; "A Tough Nut to Crack," by Nicolas Calas; "The Lord Nelson of Painting," by Max Kozloff; "The Groupie and The Commissar: Revolutionary Posters and Capitalist Billboards," by Peter Plagens; "A Conversation on Knokke and the Independent Filmmaker," by Annette Michelson and P. ... [details]
Issue edited by John Coplans. Essays "The Art Market: Affluence and Degradation," by Ian Burn; "Sol LeWitt: Modules, Walls, Books," by Lawrence Alloway; "A Proposal for The Museum of Modern Art," by Budd Hopkins; "Lee Friedlander's Guarded Strategies," by Martha Rosler; "Man Ray: The Homonymic Pun and American Vernacular," by Robert Pincus-Witten; "Richard van Buren," by Susan Heinemann; "Beaubourg: The Museum in the Era of Late Capitalism," by Annette Michelson; "Wilde About Harry," by Peter Plagens; "Book Review," by Alan Sekula. ... [details]
Issue edited by John Coplans. Essays "Pasadena's Collapse and the Simon Takeover, Diary of a Disaster," by John Coplans; "Museums and Unionization," by Lawrence Alloway; "Embalmed Objects: Design at the Modern," by Joseph Masheck; "Big Deals and Bitter Endings, The Hirshhorn Museum and Sculpture Garden," by Suzanne Stephens. ... [details]
Issue edited by John Coplans. Essays "Photography: The Coming to Age of Color," by Max Kozloff; "On the Invention of Photographic Meaning," by Alan Sekula; "DeKooning: Criticism and Art History," by Lawrence Alloway; "Richard Pousette-Dart: Toward an Invisible Center," by Lucy R. ... [details]
Issue edited by John Coplans. Essays "Peter and the Pressure Cooker, " by Peter Plagens; "On the Nature of Pop," by Carl R. Baldwin; "Abstract Expressionism, Weapon of the Cold War," by Eva Cockcroft," New Japanese Photography," by Max Kozloff; "Video Art: Old Wine, New Bottle," by Allan Kaprow; "Painting Becomes Cyclorama," by Rosalind Krauss; "Malevich's Quest for Unconditioned Creativity, Part I," by Donald Kuspit; "Mel Bochner on Malevich, an Interview," by John Coplans. ... [details]
Issue edited by John Coplans. Essays "Ilya Bolotowsky at the Guggenheim," by Roberta Smith; "Beyond Reductivism: The Work of Alan Sondheim," by Robert Joseph Horvitz; "Rauschenberg and the Materialized IImage," by Rosalind Krauss; "Traversing the Field. ... [details]
Issue edited by John Coplans. Essays "Franz Kline's Romantic Abstraction," by Harry F. Gaugh; "Robert Cumming's Eccentric Illusions," by Patricia G. Foschi; "Roberto Rossellini and Historical Neorealism," by Tag Gallagher; "Francis Bacon: The Authority of Flesh," by Donald Kuspit; "Rosemarie Castoro: Working Out," by Lucy R. ... [details]
Issue edited by John Coplans. Essays "Artists as Writers, Part One: Inside Information," by Lawrence Alloway; "Robert Mangold: An Interview," by Rosalind Krauss; "Robert Mangold: A Humanist Geometry," by Joseph Masheck; "The New Dialectic," by Lizzie Borden; "Vija Clemins," by Max Kozloff; "'Charlie was Like That,'" by Kermit Champa; "Joe Sarno, The Dismemberer," by Marshall Blonsky; "John White," by Peter Plagens; "Book Review," by Carl Baldwin. ... [details]
