Exhibition catalogue published in conjunction with show held September 13 - October 26, 1986. Essay by Marc H. Miller. Artists include Laurie Anderson, Diane Arbus, Eve Arnold, Philip Ayers, John Baldessari, Thomas Barrow, Robert Bechtle, Gretchen Bender, Paul Berger, Keiko Bonk, Chris Burden, Nancy Burson, Harry Callahan, Tseng Kwong Chi, John Clem Clarke, Maxi Cohen, Jaime Davidovich, Bruce Davidson, William Eggleston, Daniel Faust, John Fekner, Don Leicht, Eric Fischl, Janet Fish, Robert Frank, Lee Friedlander, Matthew Geller, Jon Gnagy, Rodney Alan Greenblat, Richard Hamilton, Keith Haring, David Hockney, Nancy Holt, Douglas Huebler, Isidore Isou, Richards Jarden, Burris Jenkins Jr. ... [details]
Double sided postcard published in conjunction with show held May 1 - 29, 1977. Includes works by Nicholas Africano, Milet Andrejevic, Jake Berthot, Pinchas Cohen Gan, Leonard Contino, Brad Davis, Helen DeMott, Porfirio di Donna, Carol Engelson, Heidi Glück, Denise Green, Edith Gwathmey, Jan Hafstrom, Mary Heilmann, Stuart Hitch, Neil Jenney, Bill Jensen, Jane Koplowitz, Harriet Korman, Lois Lane, Don Leicht, Marilyn Lenkowsky, Sylvia Mangold, Robert Moskowitz, Judith Murry, Blinky Palermo, Harvey Quaytman, Edda Renouf, Judith Rifka, Michael Robbins, Susan Rothenberg, Doug Sanderson, Ted Stamm, Pat Steir, Gary Stephan, Susanna Tanger, Ellie Thompson, Peter Tkacheffa, John Torreano, Carolynn Umlauf, and Terry Winters. [details]
Issue edited by Ingrid Sischy. Essays "Constantin Brancusi's Photographs," by Sanda Miller; "Architecture and Limits II," "Introduction," by Bernard Tschumi, "Collisions," by Raimund Abraham, "Transformations, Decompositions and Critiques," by Peter Eisenman, "Intimations of Tactility: Excerpts From a Fragmentary Polemic," by Kenneth Frampton; "Words and Pictures: Notes on Alexander Pope and William Carlos Williams," by John Bernard Myers; "Public Sculpture: The Pursuit of the Pleasurable and Profitable Paradise," by Kate Linker; "Kes Zapkus' Modern Warfare," by Ted Castle; "Pastiche/Prototype/Purity: 'Houses for Sale,'" by Hal Foster. ... [details]
Issue edited by Ingrid Sischy. Essays "Figuring it Out," by Klaus Kertess; "Visions and Re-Visions," by Moira Roth; "Slouch Stretch Smile Leap," by Carol Squiers; "Lisa Lyons," by Robert Mapplethorpe; "Editorial," by Ingrid Sischy; 'Action and Abstraction," by Mary Delahoyd; "Carolee Schneemann: The Woman Who Uses Her Body as Her Art," by Ted Castle; "The Doctors," by Stanley B. ... [details]
Publication of the work of writers on the "beat scene." With photographs by Fred McDarrah. Edited and with an introduction by Elias Wilentz. With contributions by Paul Blackburn, Ray Bremser, Marvin Cohen, Gregory Corso, Robert Creeley, Richard Davidson, Diane DiPrima, Barbara Ellen, Kenward Elmslie, Bruce Fearing, Lawrence Ferlinghetti, John Fles, David Galler, Allen Ginsberg, Paul Goodman, James Grady, Robert Hanlon, Howard Hart, Richard Higgins, Lenore Jaffee, Ted Joans, LeRoi Jones, Jack Kerouac, Kenneth Koch, Seymour Krim, Tuli Kupferberg, Philip Lamantia, Martin Last, Joseph LeSueur, Michael McClure, Jack Micheline, William Morris, Brigid Murnaghan, E. ... [details]
Issue edited by Ingrid Sischy. Essays "A Letter to Peder Bonnier from Lucio Pozzi"; "'Some Place Enormously Moveable' - The Collaboration of Arakawa and Madeline H. Gins," by Robert Creeley; "Long Walks," by Nancy Foote; "Malcolm Morley: Talking About Seeing," by Klaus Kertess; "Suzanne Harris: The Energy of Time," by Ted Castle; "In the Streets of China," by Joel Meyerowitz; "Working n the Streets of Shanghai and Guilin," by Charles Simonds; "The Ten Frustrations, or, Waving and Smiling Across the Great Cultural Abyss," by Lucy R. ... [details]
Issue edited by Ingrid Sischy. Essays "In Between the Dark and the Light (Television/Society/Art: A Symposium)," by Constance DeJong; "Dividing the Light from the Darkness (james Turrell)," by Kay Larson; "Keith Sonnier's Pictograms," by Ted Castle; "Futurism and the Occult," by Germano Celant; "Futurism and Musical Notes," by Daniele Lombardi; "Some Posters from Fashion Moda"; "The Unhappy Consciousness of Modernism," by Donald B. ... [details]
Issue edited by Ingrid Sischy. Essays "The Uncanny Resurrections of 'America is Waiting,'" by Scott Cook; "Yves Klein, Messenger of the Age of Space," by Thomas McEvilley; "John Waters' 'Divine Comedy,'" by Scott MacDonald; "Neither Fool, nor Naive, nor Poseur-Saint: Fragments on R. ... [details]
Issue edited by Ingrid Sischy. Essays "Alice Neel," interviewed by Ted Castle; "What Are You Doing After the Orgy?," by Jean Baudrillard; "A Project," by Meret Oppenheim; "Leonardo: The Silent Language of Hidden Images and Moving Pictures," by Ronald Feldman; "Tom Otterness' Frieze," by Judith Russi Kirshner; "The Collision and the Cry: Jannis Kounellis," by Germano Celant; "Books: Thomas McEvilley on 'This is Not a Pipe,'" by Thomas McEvilley; "Forum," by Kate Linker. ... [details]
Issue edited by Ida Panicelli. Essays "What in the World," Andrew Solomon on the Art of Perestroika; "Here There & Otherwise," John Welchman on Elsewhere; "Like Art," Glenn O'Brien on Advertising; "Special Effects," Carol Squiers on the News and its Pictures; "Books," Jeremy Gilbert-Rolfe on "Peter Halley: Collected Essays 1981 - 87"; "The World According to Douglas Huebler," by Colin Gardner; "The Benefit of Doubt or Loving Modernism to Death," by Judith Russi Kirshner; "Charon's Boat," by Francesco Pellizzi; "Image of a Second Skin," by Mark Holborn; "Miguel Angel Rios: Epics from the Earth," by Frederick Ted Castle; "A Gentle Guide," by Ida Panicelli, an Introduction to "Territory"; "Territory: A Project for Artforum," by Leonel Moura; "Face(t)s: Notes on Faciality," by John Welchman. ... [details]