Second Annual New York Festival of the Avant Garde [New York Avant Garde Festival]

Charlotte Moorman, Karlheinz Stockhausen, Allan Kaprow, James Tenney, Max Neuhaus, Alvin Lucier, Robert Delford Brown, Olga Kluver, Lette Eisenhauer, Robert Breer, Garry Harris, David Behrman, Marjorie Strider, Michael Kirby, Allen Ginsberg, Vincent Gaeta, Gloria Graves, Dick Higgins, Jackson Mac Low, Peter Leventhal, Mary Bauermeister, Matthew Raimondi, Malcolm Goldstein, Marilyn Reiley, Joseph Shor, Jacob Glick, Benjamin Patterson, Mary Barnette, Alice Kogan, Mary Kucier, Charles Morrow, Jame Lee, George Brecht, Joe Jones, Lorenzo Thomas, Nam June Paik, Frederic Rzewski, Philip Corner, Christian Wolff, Morton Feldman, Robert Moran, Stefan Wolpe, Lukas Foss, Bertram Baldwin, Terry Jennings, Earle Brown, John Cage, Guisseppe Chiari, Toshi Ichiyanagi, Richard Maxfield, Kaniharu Akiyama, Harvey Sollberger, Mario Davidovsky, Yannis Xenakis, Luciano Berio, Luc Ferrari, Robert Bayley, Philip Jameson, Gyorgy Ligeti, Henri Pousseur, Peter Moore, Gordon Mumma, George Cacioppo, Robert Ashley, Carl Spelbring, Bruce Wise, George Crevoshay, Carolee Schneemann, Rochelle Weinstein, Edgard Varese, Vincent Cavalli, Adrian Gnam, Ryo Hei Nakagawa, William Lewis, Fred Mills, Donald Stratton, John Bergamo, Edward Burnham, Raymond Desroches, Fred Eckler, Richard Fitz, Paul Price, Howard Zwickler

Program for the Second Annual New York Festival of the Avant Garde held at Judson Hall, New York, August 30 - September 13, 1964. Organized by N. Seaman and Charlotte Moorman. Performances and contributions by Charlotte Moorman, Karlheinz Stockhausen, Allan Kaprow, James Tenney, Max Neuhaus, Alvin Lucier, Robert Delford Brown, Olga Kluver, Lette Eisenhauer, Robert Breer, Garry Harris, David Behrman, Marjorie Strider, Michael Kirby, Allen Ginsberg, Vincent Gaeta, Gloria Graves, Dick Higgins, Jackson Mac Low, Peter Leventhal, Mary Bauermeister, Matthew Raimondi, Malcolm Goldstein, Marilyn Reiley, Joseph Shor, Jacob Glick, Benjamin Patterson, Mary Barnette, Alice Kogan, Mary Kucier, Charles Morrow, Jame Lee, George Brecht, Joe Jones, Lorenzo Thomas, Nam June Paik, Frederic Rzewski, Philip Corner, Christian Wolff, Morton Feldman, Robert Moran, Stefan Wolpe, Lukas Foss, Bertram Baldwin, Terry Jennings, Earle Brown, John Cage, Guisseppe Chiari, Toshi Ichiyanagi, Richard Maxfield, Kaniharu Akiyama, Harvey Sollberger, Mario Davidovsky, Yannis Xenakis, Luciano Berio, Luc Ferrari, Robert Bayley, Philip Jameson, Gyorgy Ligeti, Henri Pousseur, Peter Moore, Gordon Mumma, George Cacioppo, Robert Ashley, Carl Spelbring, Bruce Wise, George Crevoshay, Edgard Varese, Vincent Cavalli, Adrian Gnam, Ryo Hei Nakagawa, William Lewis, Fred Mills, Donald Stratton, John Bergamo, Edward Burnham, Raymond Desroches, Fred Eckler, Richard Fitz, Paul Price, and Howard Zwickler. ... [details]

An Anthology

[Second Edition]

La Monte Young, George Maciunas, George Brecht, Claus Bremer, Earle Brown, Joseph Bryd, John Cage, David Degener, Walter De Maria, Henry Flynt, Yoko Ono, Dick Higgins, Toshi Ichiyanagi, Terry Jennings Dennis, Ding Dong, Ray Johnson, Jackson Mac Low, Richard Maxfield, Malka Safro, Simone Forti, Nam June Paik, Terry Riley, Dieter Rot [Dieter Roth], James Waring, Emmett Williams, Christian Wolff

Exacting re-creation (with corrections) of the first edition of An Anthology, which was originally published in 1963. First edition introduced Henry Flynt's theory of "Concept Art," which he rewrote for this edition. ... [details]

Annotations

[21 Volume Box Set]

Public-Holiday Project, Champion Fine Art, Rachel Foullon, Matt Keegan, Laura Kleger, Sara Greenberger, Adam Putnam, Alex Robbins, Halsey Rodman, Carter Mull, Michael Zahn, Rebecca Chamberlain, Christopher Chiappa, John Pilson, Jeroen Kooijmans, Guy Richards Smit, Michael Smith, William Wegman, Kelly Breslin, Meredith Danluck, Alice Könitz, Jeff Ono, Michelle Lopez, Kate Grinnan, Tom Texas Holmes, Slylar Haskard, Anna Sew Hoy, Joe Scanlan, Stephen Shore, Kelley Walker, Flora Wiegmann, Drew Heitzler, James Welling, Eric Wesley, Carey Young, Walead Beshty, Rose Kallal, Fia Backström, Michael Phelan, Jonah Freeman, Chuck Nanny, Adam McEwen, John Tremblay, Peter Coffin, Craig Kalpakjian, John Armleder, Cyprian Gaillard, Jan Groover, Kevin Landers, Olivier Mosset, Amy O'Neill, Kirsten Mosher, Jordan Wolfson, Samuel Casebolt, Candace Cole, Charles Goldman, Alix Lambert, Brian Bress, Jeff Burton, Corinna Schnitt, Monique van Genderen, Terra Fuller, Benjamin Butler, Suzanna Vapnek, Franklin Evans, Mari Eastman, Charles Irvin, Holly Coulis, Brian Belott, Bella Foster, Melissa Brown, Brendan Cass, Charlotta Westergren, Ellen Altfest, Tyson Reeder, Scott Reeder, Claudia Pena, Katherine Bernhardt, Nick Barna, Scott Cassidy, Tom Costa, Erik Frydenborg, Hannah Greely, Jesse Kamm, Kalup Donte Linzy, Shana Lutker, Avigail Moss, Stephen Rhodes, Joaquin Spengemann, Jonas Wood, Heather Cantrell, Rachel Corry, Drew Dominick, Ernest Gibson, Raffi Kalenderian, Shio Kusaka, Nate Lowman, Tony Matelli, Adrian Paules, Bert Rodriguez, Keith Vaughn, Matt Johnson, Jonas Nobel, Jessica Jackson Hutchins, Frederik Söderberg, Dan Torop, Roe Ethridge, Nina Andersson, Ron Jude, Kevin Landers, Aleksandra Mir, Andrew Rodgers, Chris Verene, Matt Ducklo, Huma Bhabha, Jennifer Sirey, Nancy Shaver, Susan Jennings, Jennifer Coates, David Shaw, Valetin Carron, Gardar Eide Einarsson, Fabrice Gygi, Alex Morrison, Mai-thu Perret, Aidas Bereikis, Bettina Funcke, Seth Price, Bill Saylor, Anke Weyer, Wendy White, Emily Sunblad, Josh Smith, Lizzie Bougatsos, Amy Granat, Elizabeth Valdez, Steven Parrino, Alex Kwartler, Macrae Semans, Molly Welch, Allyson Vieira, Jarrett Mellenbruch, Adam Raymont, Emily Miranda, Carol Bove, Christian Brown, Robert Medvedz, Jon Widman, Lorenzo de Los Angeles, Gordon Terry, Hisham Akira Bharoocha, Bjorn Copeland, Scott Wolniak, Andrew Jeffrey Wright, Reed Anderson, Larry Bamburg, Sylvie Fleury, Adam Frelin, Vincent Szarek

"How can an art exhibition function as a stand-in for the artists and their studios? How can a gallery project provide greater insight into an artist's practice, the way the formality of a slide lecture or the intimacy of a studio visit can? How can the back-story of the work on display be understood, without being solely reliant on a curatorial statement, catalogue essay or press release? This exhibition allows art to be understood as an ongoing and slippery practice, and less the finite, linear and object-oriented one assumed by the standard exhibition format. ... [details]