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The Deconstructive Impulse : Women Artists Reconfigure the Signs of Power, 1973 - 1991
  • exhibition catalogue
  • cloth boards with dust jacket
  • offset-printed
  • sewn bound
  • black-and-white & color
  • 28 x 23.5 cm.
  • 176 pp.
  • edition size unknown
  • unsigned and unnumbered
  • ISBN 9783791351209

The Deconstructive Impulse : Women Artists Reconfigure the Signs of Power, 1973 - 1991

Helaine Posner, Nancy Princenthal, Tom McDonough, Griselda Pollock, Kristine Stiles, Judith Barry, Dara Birnbaum, Barbara Bloom, Sarah Charlesworth, The Guerrilla Girls, Lynn Hershman, Susan Hiller, Jenny Holzer, Deborah Kass, Mary Kelly, Silvia Kolbowski, Barbara Kruger, Louise Lawler, Sherrie Levine, Adrian Piper, Martha Rosler, Cindy Sherman, Laurie Simmons, Lorna Simpson, Sturtevant, Carrie Mae Weems, Hannah Wilke

Exhibition catalogue published in conjunction with show held at the Neuberger Museum of Art, Purchase College, State University of New York, Purchase, January 15–April 3, 2011. Traveled to the Nasher Museum of Art at Duke University, Durham, North Carolina, August 25–December 5, 2011. ... [details]

Berlin / Munich / London / New York / New York, Germany / Germany / United Kingdom / NY / NY: Prestel - Verlag / Neuberger Museum of Art, Purchase College, State University of New York,
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$49.18
Condition:  New
$14.49
Condition:  Used
Artforum
  • periodical
  • pictorial wrappers
  • offset-printed
  • glue bound
  • black-and-white & color
  • 26.5 x 26.7 cm.
  • 177 pp.
  • edition size unknown
  • unsigned and unnumbered

Artforum

Vol. 19, No. 1 (September 1990)

Ida Panicelli, C. Carr, Barbara Kruger, Karen Finley, Miriam Rosen, Lynda Barry, John Miller, J. Hoberman, Robert Kushner, Annelie Pohlin, Greil Marcus, Mira Schor, the Guerrilla Girls, Shigeo Anzai, Bojana Pejíc, Giorgio Verzotti, Lars Nittve, Norbert Messler, Alessandra Mammì, Michael Tarantino, Loren Hammer, Jon Kessler, Pier Luigi Tazzi, Lowery Stokes Sims, David Rimanelli, Donald Kuspit, John Yau, James Lewis, Charles Hagen, Dena Sottenkirk, Kirby Gookin, John Miller, Patricia C. Phillips, Lois E. Nesbitt, Melissa Harris, RoseLee Goldberg, Catherine Liu, Jenifer P. Borum, Ronny Cohen, Francine A. Koslow, Eileen Neff, Howard Risatti, James Yood, Charles Dee Mitchell, Bill Berkson, Colin Gardner, Amy Gerstler, Benjamin Weissman, Linda Genereux, Rubén Bautista, Jole de Sanna, Anthony Iannacci, Menene Gras Balaguer, Bojana Pejic, Alan Cueff, Miriam Rosen, Max Wechsler, Sabine B. Vogel, Martin Hentschel, Markus Brüderlin, Sabine B. Vogel, Michael Tarantino, Natasha Edwards, Ulrich Rückriem

Issue edited by Ida Panicelli. Essays "Troubleeshooters: C. Carr on Trying Times," by C. Carr; "Remote Control: Barbara Kruger on Courtroom Drama," by Barbara Kruger; "Democracy, Inc.: Our Beating Hearts, A Project for Artforum," by Karen Finley; "Undertone: Miriam Rosen on Ari," by Miriam Rosen; "Commedia Dell'Arte: The Art Deal, A Project for Artforum," by Lynda Barry; "Books: John Miller on 'Notes on the Underground,'" by John Miller; "Believe it or Not: J. ... [details]

New York, NY: Artforum,
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Institutional Critique : An Anthology of Artists' Writings
  • critical theory
  • cloth boards with dust jacket
  • offset-printed
  • sewn bound
  • black-and-white
  • 23.5 x 18.5 cm.
  • 440 pp.
  • edition size unknown
  • unsigned and unnumbered
  • ISBN 0262013169

Institutional Critique : An Anthology of Artists' Writings

Alexander Alberro, Blake Stimson, Wieslaw Borowski, Daniel Buren, Marcel Broodthaers, Groupe de Recherche d'Art Visuel, Hans Haacke, Robert Smithson, John Knight, Graciela Carnevale, Osvaldo Mateo Boglione, Guerrilla Art Action Group, Art Workers Coalition, Mierle Laderman Ukeles, Michael Asher, Mel Ramsden, Adrian Piper, The Guerrilla Girls, Laibach, Silvia Kolbowski, Andrea Fraser, Fred Wilson, Mark Dion, Maria Eichhorn, Critical Art Ensemble, Bureau d’Études, WochenKlausur, The Yes Men, Hito Steyerl, Andreas Siekmann

"Institutional Critique" is an artistic practice that reflects critically on its own housing in galleries and museums and on the concept and social function of art itself. Such concerns have always been a part of modern art but took on new urgency at the end of the 1960s, when—driven by the social upheaval of the time and enabled by the tools and techniques of conceptual art—institutional critique emerged as a genre. ... [details]

Cambridge / London, MA / United Kingdom: The MIT Press,
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$50.00
Condition:  Used
$179.00
Condition:  Collectible
objects: 3
1