Issue no. 67 of the periodical "art / text," edited by Susan Kandel. Contents include: "Lobby: Dinner at Frank's," by Liam Gillick; "Torpor: Deep Chaos," by Chris Kraus; "User: Wireless Cosmopolitans," by Peter Lunenfeld; "Report: 48th Venice Biennale," by Barry Schwabsky; "SITE: Santa Fe Third International Biennial," by Ellen Berkovitch; "TYPE: Professional Me," by Frances Stark; "APROPOS: Smithson, Shakespeare & Satan," by Robert Linsley; "Sally Elesby: Life is a Verb," by Sue Spaid; "Raafat Ishak: Personal Archive," by D. ... [details]
Fall 1987 issue of Journal. "This issue of JOURNAL is a collaborative effort between thirteen contributing editors representing ten cities of nations in the United States and Western Europe. The works appearing in this issue were chosen by the contributing editors. ... [details]
Issue edited by Philip Leider. Essays "Dennis Oppenheim," by Jean-Louis Bourgeois; "Keith Sonnier," by Robert Pincus-Witten; "Thomas Cole," by Alan Wallach; "The Possibilities of Drawing," by Peter Plagens; "The Last Work of Kurt Schwitters," by John Elderfield; "El Lissitzky's 'Prouns', Part I," by Alan C. ... [details]
Issue edited by Philip Leider. Essay "Incidents of Mirror-Travel in the Yucatan," by Robert Smithson; "Slow Information: Richard Serra," by Robert Pincus-Witten; "On 'Manet's Sources'", by Theodore Reff; "Real Time Systems," by Jack Burnham. ... [details]
Issue edited by Philip Leider. Essays "Allan Hacklin, David Diao, Donald Kaufman," by Emily Wasserman; "The Sculpture of Roland Brener," by Charles Harrison; "Recent Work by Kenneth Noland," by Michael Fried; "Hans Hoffmann," by Darby Bannard; "A Variety of Realisms," by Sidney Tillim; "The Earlier Work of Ellsworth Kelly," by John Coplans. ... [details]
Exhibition catalogue published in conjunction with show held December 13, 1961 - February 4, 1962. Artists included in the exhibition are Pat Adams, Josef Albers, Ivan Albright, Milton Avery, Rudolf Baranik, Robert Barnes, Will Barnet, William Baziotes, Janice Biala, Elmer Bischoff, Isabel Bishop, Peter Blume, Seymour Boardman, Ilya Bolotowsky, Ernest Briggs, Robert Broderson, James Brooks, Charles Burchfield, Paul Cadmus, Lawrence Calcagno, Nicolas Carone, Edmund Casarella, Giorgio Cavallon, Carmen Cicero, Carroll Cloar, Edward Corbett, Ralston Crawford, Nassos Daphnis, Stuart Davis, Elaine de Kooning, Richard Diebenkorn, Enrico Donati, Jimmy Ernst, Philip Evergood, Perle Fine, Seymour Fogel, Sam Francis, Helen Frankenthaler, Jared French, Elaine Galen, Lee Gatch, Thomas George, Paul Georges, Edward Giobbi, Joseph Glasco, Michael Goldberg, Sidney Goodman, Robert Goodnough, Adolph Gottlieb, Morris Graves, Cleve Gray, Balcomb Greene, Stephen Greene, Philip Guston, Grace Hartigan, John Heliker, Margo Hoff, Hans Hofmann, Carl Holty, Edward Hopper, Angelo Ippolito, Paul Jenkins, Jasper Johns, Wolf Kahn, Ellsworth Kelly, William Kienbusch, Franz Kline, Karl Knaths, Yayoi Kusama, Jacob Lawrence, Alfred Leslie, Jack Levine, Denver Lindley, Michael Loew, David Lund, Loren Maciver, Leo Manso, Conrad Marca-Relli, Nicholas Marsicano, Richard Mayhew, Gerald McLaughlin, George McNeil, Samuel M. ... [details]
Exhibition catalogue published in conjunction with show of the personal art collection of Juliana Force held at the Whitney Museum of American Art, September 24 - October 30, 1949. Text by Juliana Force, Herman More, Lloyd Goodrich, John Sloan, Guy Pène du Bois, Alexander Brook, Forbes Watson. ... [details]
Issue edited by Philip Leider. Essays "Brancusi and the Myth of Ideal Form," by Rosalind E. Krauss; "Notes on American Painting of the Sixties," by Walter Darby Bannard; "Tantric Art," by Emily Wasserman; "An Interview with Chuck Close," by Cindy Nemser; "The Iconography of Symbolist Art," by Robert Pincus-Witten. ... [details]
Issue edited by Philip Leider. Essays "The Graphic Work of Jasper Johns," by Barbara Rose; "The Bauhaus Show in Toronto," by Robert Welsh; "The Early Work of Andy Warhol," by John Coplans; "Color Painting and the Map Problem," by Walter Darby Bannard; "Alan Saret's Studio Exhibition," by Emily Wasserman; "A Robert Morris Retrospective in Detroit," by Jack Burnham. ... [details]
Issue edited by Philip Leider. Essays "Die Brücke at Cornell," by Reinhold A. Heller; "Morris Louis: Unfurleds and Omegas," by Kenworth Moffett; "A Synthesis," by Alan Saret; "Geometric Abstract Painting and Paris in the Thirties, Part I," by John Elderfield; "An Interview with Eva Hesse," by Cindy Nemser; "Paolo Soleri," by Donald Wall; "Excerpts from Speculation (1967-1970)," by Mel Bochner. ... [details]