September 1966 special issue of Artforum on Surrealism, edited by Philip Leider, with a cover "Surrealism Soaped and Scrubbed," designed for this issue of Artforum by Edward Ruscha. Contents include: "Surrealist Painting Re-examined," by Max Kozloff; "Dada into Surrealism," by Lucy R. ... [details]
Single fold brochure published in conjunction with show held at the Whitney Museum of American Art, New York, October 23 - November 26, 1972. Curated and with an introduction by Marcia Tucker. Text by Whitney Halstead. [details]
Issue edited by Philip Leider. Essays "Harnett, Peto and Haberle in La Jolla," by Alfred Frankenstein; "Twelve Chicago Artists at the Walker," by Whitney Halstead; "An Interview with Helen Frankenthaler," by Henry Geldzahler; "Tribute to Simon Rodia," by Alfred H. ... [details]
Issue edited by Philip Leider. Essays "An Interview with Peter Stroud," by John Coplans; "Joe Goode and the Common Object," by Philip Leider; "Matisse and the Strategy of Decoration," by Nancy Marmer; "Three Statements," by Ad Reinhardt; "The Happenings are Dead - Long Live the Happening," by Allan Kaprow; "The Inert and the Frenetic," by Max Kozloff. ... [details]
Issue edited by Philip Leider. Essays "Lichtenstein's Sculpture," by Sidney Tillim; "Peter Forakis," by Lawrence Alloway; "Oldenburg's Monuments," by Dan Graham; "Sam Francis Retrospective in Housto," by Peter Plagens; "Willem de Kooning," by Rosalind Krauss; "Plastics West Coast," by Palmer D. ... [details]
Issue edited by Philip Leider. Essay "Incidents of Mirror-Travel in the Yucatan," by Robert Smithson; "Slow Information: Richard Serra," by Robert Pincus-Witten; "On 'Manet's Sources'", by Theodore Reff; "Real Time Systems," by Jack Burnham. ... [details]
Issue edited by Philip Leider. Essays "Talking to Tony Smith," by Samuel Wagstaff, jr; "A Conversation with Joe Raffaele," by Robert Pincus-Witten; "Man Ray Retrospective in Los Angeles," by Carl I. Belz; "Some Remarks," by Dan Flavin; "Two Views of Post-Abstract Expressionist Styles: "Present-Day Art and Ready-Made Styles," by Darby Bannard, and "Present-Day Styles and Ready-Made Criticism," by Peter Plagens; "Reinhardt: The Purist Blacklash," by Irving Sandler; "Tiepolo Acquisitions at the Met," by Sidney Tillim; "Lloyd Hamrol's 'multiples," by John Coplans; "Michael Egan's Modular Paintings," by Carl I. ... [details]
Issue edited by Philip Leider. Essays "Helen Frankenthaler," by Barbara Rose; "The Essential David SMith, Part II," by Rosalind Krauss; "Willem de Kooning," by Walter Darby Bannard; "Notes on Sculpture, Part IV: Beyond Objects," by Robert Morris; "The Sculpture of Jules Olitski," by Kenworth Moffett; "Jack Burnham and Terry Fenton: An Exchange," "Caro in London," by Jane Harrison Cone. ... [details]
Issue edited by Philip Leider. Essays "Evaluations and Re-Evaluations," by Sidney Tillim; "Soutine and the Problem of Expressionism," by Hilton Kramer; "Romantic Painting in England," by Jerrold Lanes; "The Shape of the Art Environment," by Allan Kaprow; "Richard Van Buren, David Novros, Charles Ross," by Emily Wasserman; "New Paintings by Larry Poons," by Kermit Champa; "Greg Card and Mary Corse," by Fidel A. ... [details]
Issue edited by Philip Leider. Essays "The Sculpture of Matisse, Part II," by Albert Elsen; "Serial Imagery," by John Coplans; "Edward Hopper," by Jerrold Lanes; "John D. Graham," by Irving Sandler; "A Reconstituted Diary, Greece, 1967," by Lucas Samaras; "The Films of Jean-Luc Godard," by Manny Farber; "New Paintings by Darby Bannard," by Kermit Champa. ... [details]