January 1974 issue of Studio International with cover specially designed for this issue by Harold Cohen. Edited by Peter Townsend. Contents include: "Lawrence Weiner: The Books," by Eric Cameron; "Correspondence;" "On Purpose: an inquiry into the possible roles of the computer in art," by Harold Cohen; "Legend," photographs from Daniel Buren's new book; "A Victorian Radical Photographer: Peter Henry Emerson," by Peter Turner; "Tadeusz Kantor and his Cricot 2 theatre," by Wieslaw Borowski; "'Intimate scaffolding': Cezanne's drawings and watercolours," by Phillip Rawson; "Newman and the issue of subject matter," by Roelof Louw; and "Review. ... [details]
September 1974 issue of Studio International. Edited by Peter Townsend. Contents include: "Art Front," by Gerald M. Monroe; "The Hayward Biennale," Andrew Forge, Myles Murphy, Paul Huxley, John McEwen; "A Conversation with Henryk Stazewski," with Wieslaw Borowski; "Correspondence;" "The Origins of Modernism in England," by Charles Harrison; "Food as an Art Form," by Mary Douglas; "The mature portraitist: Richard Avedon," by Dore Ashton; "The Englishness of Caro," by Joseph Masheck; "Review. ... [details]
Large-scale exhibition catalogue published in conjunction with two shows: "Royden Rabinowitch: Dziela / Works 1962 - 1995," held at Museum Sztuki, Lodz, Poland, April 4 - August 8, 1995 and "Royden Rabinowitch: Prace W Kolorze / Coloured Works," held at Galeria Foksal, Warsaw, Poland, April 6 - May 6, 1995. ... [details]
"Institutional Critique" is an artistic practice that reflects critically on its own housing in galleries and museums and on the concept and social function of art itself. Such concerns have always been a part of modern art but took on new urgency at the end of the 1960s, when—driven by the social upheaval of the time and enabled by the tools and techniques of conceptual art—institutional critique emerged as a genre. ... [details]
Fall 1986 issue of October. Edited by Douglas Crimp, Rosalind Krauss, and Annette Michelson. Contents include: "Public Projections," by Krzysztof Wodiczko; "A Conversation with Krzysztof Wodiczko," by Douglas Crimp, Rosalyn Deutsche, and Ewa Lajer-Burcharth; "Foksal Gallery Documents," by Wieslaw Borowski, Hanna Ptaszkowska, Mariusz Tchorek, and Andrzej Turowski; "Krzysztof Wodiczko's Homeless Projection and the Site of Urban "Revitalization," by Rosalyn Deutsche; "Hitchcock," by Slavoj Žižek; and "Kinematography and the Analytic Text: A Reading of Persona," by P. ... [details]
