Poster published in conjunction with one person show of the work of Claes Oldenburg held at Green Gallery, New York City, September 24 - October 20, 1962. [details]
Two sided poster / announcement published in conjunction with an installation / performance by Daniel Spoerri presented by the Green Gallery at the Chelsea Hotel, New York, held March 3 - 15, 1965. Text by Allan Kaprow, who suggested the idea for the installation / performance to Spoerri. ... [details]
Folded exhibition announcement poster published in conjunction with opening held November 5, 1963. Printed on verso with return address. [details]
Martha Rosler sent out this black-and-white photograph to friends and artist colleagues on her mailing list in [1977] as part of her "From Our House to Your House" (1974-1978) series.
"Four of the five cards in the series depict Rosler awkwardly situated in a kitchen: In the first, dressed in California (and performance) white, she is squeezed between stove and refrigerator, next to a big plaster chili peper, while the text reads '5 4" By 128 Pounds At Home In Kitchen.
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[details]
Martha Rosler sent out this black-and-white photograph to friends and artist colleagues on her mailing list in [1975] as part of her "From Our House to Your House" (1974-1978) series.
"Four of the five cards in the series depict Rosler awkwardly situated in a kitchen: In the first, dressed in California (and performance) white, she is squeezed between stove and refrigerator, next to a big plaster chili peper, while the text reads '5 4" By 128 Pounds At Home In Kitchen.
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[details]
Limited edition handmade narrative artist's book by Suzanne Lacy featuring images and text with handwritten and hand-painted elements and tipped-in images. Dedicated to Arleen Raven. Sewn bound and wrapped in a wide, long, ACE wrap. ... [details]
Set of 21 issues of the irregularly published Public Illumination Magazine, featuring texts and artwork by dozens of contributors identified solely by pseudonyms. Edited by Mike Topp. Volumes included: No. ... [details]
September 1971 issue of Studio International. Edited by Peter Townsend. Contents include: "Power without authority in art and design education," by R.H. Litherland; "British Sculptors '72;" "Brian Kneale;" "Enemies of Art," by Jeremy Moon; "Correspondence;" "News and Notes;" "Newton Harrison: big fish in small pool," by Jonathan Benthall; "Atget and the City," by John Fraser; "Irish commentary," by Tim Hilton; "Section 10 from 'Mechanism of Meaning' (work in progress 1963-71)," Arakawa in collaboration with Madeline Gins; "Tantra Revealed," by Robert Fraser; "Anthony Caro at David Mirvish," by W. ... [details]
September 1971 issue of Studio International, with a cover specially designed for this issue by Eugenio Carmi. Edited by Peter Townsend. Contents include: "The State of the Arts," by Lord Eccles; "Correspondence;" "News and Notes;" "Anatomy of an Anomaly," by Jonathan Benthall; "A Joseph Beuys Primer," by Georg Jappe; "Sculpture at Sonsbeek," by Carel Blotkamp; "Signals for the Imagination," by Eugenio Carmi; "A procedural proposition: selection, repetition, extension, exchange," by Michael Craig-Martin; "Ensor's 'Entry of Christ into Brussels,'" by Frank Whitford; "New Public Galleries: Tel Aviv, Belfast, project for Les Halles," by J. ... [details]
September 1971 issue of Studio International, with a cover specially designed for this issue by Eduardo Paolozzi. Edited by Peter Townsend. Contents include: "Some Concerns in fine-arts education," by Philip Pilkington, Kevin Lole, David Rushton, and Charles Harrison; "Report from Canada," by Charlotte Townsend; "Correspondence;" "News and notes;" "The Inflation of art media," by Jonathan Benthall; "The Los Angeles look today," by Helene Winer; "A question of epistemic adequacy," by Ian Burn and Mel Ramsden; "Speculative illustrations," Eduardo Paolozzi in discussion with J. ... [details]