October 1983 issue of "On the NEXT WAVE : The Audience Magazine of BAM's NEXT WAVE FESTIVAL." Edited by Roger W. Oliver. Contents include "From the Judson to BAM: Trisha Brown and Lucinda Childs," by Sally Banes; "California Dreamin': West Coast Artists in the NEXT WAVE," by David Bither; "Great Black Music: Ancient to the Future," by Leonard Goines; "Diaghilev and After: Twentieth-Century Collaborations," by David Vaughan; "NEXT WAVE Bookshelf;" and "Spotlight on Sponsors. ... [details]
Folded poster / announcement for "Works for an Open Space," a performance by Twyla Tharp and dancers held at the Brooklyn Academy of Music February 24 and 28, [1969]. Dancers included: Sara Rudner, Theresa Dickinson, Margery Tuppling, Graciela Figueroa, Rose Marie Wright, Miriam Burns, Anne Danoff and Nancy Lewis. ... [details]
Folded poster / program for "The Great Leap of 1969 - 1970," a series of dance performances held at the Brooklyn Academy of Music in 1969 and 1970. Performances by the American Ballet Company, Harkness Ballet, Alvin Ailey American Dance Theatre, American Ballet Theatre and Merce Cunningham and Dance Company. [details]
Program for performances held May 15, 16, 17, 22, 23, 24, 25, 26, 1968. Program notes "Music by Velvet Underground." Performances included Scramble (1967) with music by Toshi Ichiyanagi, costumes by Frank Stella, musicians included David Behrman, John Cage, Malcolm Goldstein, Gordon Mumma, Max Neuhaus, David Tudor; RainForest (1968) with music by Tudor, decor by Andy Warhol, musicians Mumma and Tudor; How to Pass, Kick, Fall and Run (1966) with music by Cage, readers Cage and David Vaughan; Variations V (1965) with music by Cage, film sequences by Stan VanDerBeek, electronics by Billy Klüver, Robert Moog; Place (1966) with music by Mumma, decor and costumes by Beverly Emmons, bandoneon by Tudor and cybersonic console by Mumma; Nocturnes (1965) with music by Erik Satie, decor and costumes by Robert Rauschenberg, piano by Cage; Winterbranch (1964) with music by LaMonte Young, costumes, decor and lighting by Rauschenberg supervised by Emmons; Field Dances (1963) with music by Cage, costumes by Remy Charlip, Untitled Solo (1953) with music by Christian Wolff, piano by Tudor; Walkaround Time (1968) with music by David Behrman, decor "after Marcel Duchamp's The Large Glass in the Philadelphia Museum - supervised by Jasper Johns," musicians Behrman, Mumma, Tudor; Suite for Five (1953 - 1958) with music by Cage, costumes by Rauschenberg, pianos by Cage and Tudor; and Collage III with music by Pierre Schaeffer. ... [details]
