Issue edited by John Coplans. Essays "A Talk with George Kubler," by Robert Joseph Horvitz; "Hanne Darboven: Deep in Numbers," by Lucy Lippard; "Theater of the Conceptual: Autobiography and Myth," by Robert Pincus-Witten; "Robert Smithson on Duchamp, An Interview," by Moira Roth; "The Suppression of Art in the McCarthy Decade," by William Hauptman; "Pointing, Hybrids, and Romanticism: John Baldessari," by James Collins; "What is Content? Notes Toward an Answer," by Douglas Davis; "'Anemic Cinema,' Reflections on an Emblematic Work," by Annette Michelson; "Brancusi: The Centrality of the Gate," by Sidney Geist; "In Support of Meta-Art," by Adrian Piper; "L. ... [details]
Issue edited by Joseph Masheck. Essays "Two Critics: Thomas B. Hess and Harold Rosenberg," by Donald B. Kuspit; "Beginning Again," by Marcia Hafif; "Chicago's Emotional Realists," by Joanna Frueh; "William Baziotes: Primeval Sentiment," by Peter Plagens; "Death and Maternal Love: Psychological Speculations on Robert Motherwell's Art," by Jonathan Fineberg; "Composite Imagery and the Origins of Photomontage, Part I: The Naturalistic Strain," by Robert A. ... [details]
Issue edited by Joseph Masheck. Essays "Minimalism and Critical Response," by Phyllis Tuchman; "Clyfford Still: The Ethics of Art," by Donald B. Kuspit; "Notes on Narrative and History Painting," by Sidney Tillim; "On George Segal's Reliefs," by Leo Rubinfien; "Snelson and Structure," by Deborah Perlberg; "Garry Kennedy: Painting Painting Itself," by Eric Cameron; "Shape and Form in Ron Gorchov's Painting," by Morris Kearse; "Ensor in His Milieu," by Diane Lesko. ... [details]
Issue edited by Joseph Masheck. Essays "Magic of the Possible: Five California Artists," by Peter Clothier; "Sun Tunnels," by Nancy Holt; "In Pursuit of Acconci," by Edward Levine; "Troubles With British Art Now," by Peter Fuller; "James Collins' Double Portraits," by Margaret Sheffield; "Flavin 'According to His Lights,'" by Ross Skoggard; "Surrealism and New York Painting 1940-1948: A Reminiscence," by John Bernard Myers; "A Note on Surrealism and the Beat Generation," by Joseph Masheck. ... [details]
Issue edited by Joseph Masheck. Essays "American Women Architects," by John Lobell; "'Words': When Art Takes a Rest," by Jeff Perrone; "The Icon and Russian Modernism," by Margaret Betz; "Donald Judd: Past Theory," by Kenneth Baker; "Terry Fox Meanders," by Knute Stiles; "Outerbridge from Cubism to Fetishism," by Graham Howe; "Cruciformality," by Joseph Masheck. ... [details]
Issue edited by Joseph Masheck. Essays "Naum Gabo, 1890-1977," by George Rickey; "Some Exercises in Slow Perception," by Kenneth Baker; "Issues in Pattern Painting," by John Perreault; "Richard Meier's Architecture of Purity and Possibility," by Lindsay Stamm Shapiro; "Symbolism and Modernity in Russia," by John E. ... [details]
Issue edited by Joseph Masheck. Essays "Robert Irwin'S Recent Work," by Edward Levine; "Peter Hutchinson: From Earth Art to Story Art," by Eric Cameron; "The Man in the Crowd," by Leo Rubinfien; "Technique and Meaning: The Example of Andean Textiles," by Barbara Blum; "Drawing Toward Architectural Drawings," by James Hoekema; "Andy Warhol's 'Folk and Funk,'" by John Brooks; "The New York Film Festival: A Cultural Landmark?" by Regina Cornwell; "Tepid Yesterdays," by Carrie Rickey; "David Hare's 'Cronus' Series," by Deborah Perlberg. ... [details]
Issue edited by Joseph Masheck. Essays "Johns the Pessimist," by Rolf-Dieter Herrmann; "Cézanne on Solids and Spaces," by Theodore Reff; "Back on the Material: Rodchenko's Photographic Ideology," by Andréi B. ... [details]
Issue edited by John Coplans. Essays "MOMA's Castle in the Air," by Suzanne Stephens; "L.A. 1976: The Dark Underside," by Nancy Marmer; "Rosemary Mayer," by Lawrence Alloway"; 'Zaïrian Authenticity,'" by Susan Vogel; "The Paint Thickens," by Carter Ratcliff; "Problems in Folk Art," by Amy Goldin; "The Ins and Outs of Video, " by Jeff Perrone; "Art History Textbooks: The Hidden Persuaders," by Patricia Hills; "An Ad for Ad as Ad, Book Review," by Budd Hopkins. ... [details]
Issue edited by John Coplans. Essays "Duane Michals: The Self as Apparition," by Jeff Perrone; "Trouble in Paradise," by Allan Wallach; "Validating Modern Art: The Impact of Museums on Modern Art History"; "Design Deformed," by Suzanne Stephens; "Beating the System," by Leo Rubinfien; "Italo Scanga's Torn Loyalties," by Eric Cameron; "Oldenburg's Monuments to the Sixties," by Nancy Foote. ... [details]
