Collection of critical theory essays by Nicolas Calas and Elena Calas on the styles and developments in American art from the sixties. With essays on the work of: Joseph Cornell, Louise Nevelson, George Segal, Edward Kienholz, Alfonso Ossorio, Claes Oldenburg, Jim Dine, Marisol, Roy Lichtenstein, Andy Warhol, James Rosenquist, Tom Wesselmann, Allan D'Arcangelo, Robert Indiana, Arakawa, Leon Polk Smith, Barnett Newman, Kenneth Noland, Frank Stella, Ellsworth Kelly, Jo Baers, Jules Olitski, Larry Poons, Agnes Martin, David Smith, Tony Smith, Ronald Bladen, David von Schlegell, Kenneth Snelson, Dan Flavin, and others. ... [details]
Collection of essays by Nicolas Calas. Essays include "Surrealist Intentions," "Heirs U.S.A.," "Caligula," "The Cobbler and the Gambler," "Why Not Pop Art?," "Pop Icons," "In Quest of Folly," "And Now the Sphinx," "The Image and Poetry," "The Point of the Mind : André Breton," "The Next Revolution in Painting," "Anarchy and Edgar Wind," "Truth and E. ... [details]
Exhibition catalogue published in conjunction with show held at the Dallas Museum of Fine Arts, Pollock Galleries, November 20 - December 29, 1974; the San Francisco Museum of Art, January 31 - March 23, 1975; and the Wadsworth Atheneum, Hartford, April 23 - June 1, 1975. ... [details]
Critical theory by Gene Youngblood on the evolution of 1970's cinema. Introduction by R. Buckminster Fuller. [details]
