Issue 28 of the periodical October. Edited by Rosalind Krauss and Annette Michelson. Contents include: "To Situate Sublimation," by Jean Laplanche; "Sexuality and Aesthetics," by Leo Bersani; "Freud's Reflexive Realism," by Perry Meisel; "Transference: Letters and The Unknown Woman," by Joan Copjec; "Uncertainty," by François Roustang; "Italian Freud: Gramsci, Giulia Schucht, and Wild Analysis," by Jennifer Stone; and "Of Mimicry and Man: The Ambivalence of Colonial Discourse," by Homi Bhabha. [details]
Issue number 18 of the periodical October. Edited by Rosalind Krauss, Annette Michelson, Douglas Crimp, and Joan Copjec. Contents include: "Nausea and Noesis: Some Philosophical Problems for Sartre," by Arthur C. ... [details]
Inaugural issue of the periodical "October," published in the Spring of 1976. Edited by Jeremy Gilbert-Rolfe, Rosalind Krauss, and Annette Michelson. Contents include: "'Ceci n'est pas une pipe,'" by Michel Foucault; "The Carrot and the Stick," by Richard Foreman; "To the Distant Observer: Towards a Theory of Japanese Film," by Noël Burch; "The Giant on Giant-Killing," by Richard Howard; "Video: The Aesthetics of Narcissism," by Rosalind Krauss; "Gravity's Rainbow and the Spiral Jetty," by Jeremy Gilbert-Rolfe and John Johnston; "Star," by Jean-Claude Lebensztejn; and "Notes on Composing in Film," by Hollis Frampton. [details]
Edited by Rosalind Krauss, Annette Michelson, Douglas Crimp. Special issue focusing on photography. Text by Nadar, Rosalind Krauss, Hollis Frampton, Hubert Damisch, Craig Owens, Douglas Crimp, Jean Clair, and Thierry de Duve. [details]
Edited by Rosalind Krauss, Annette Michelson, Douglas Crimp. Essays "Panorama of the 19th Century," by Dolf Sternberger; "Einstein on the Beach: The Primacy of Metaphor," by Craig Owens; "Double Visions," by Amy Taubin; "Notes for Rameau's Nephew," by Michael Snow; "Notes on the Index: Seventies Art in America (Part 2)," by Rosalind Krauss; "Feast," by Keith Cohen; "Narcissism and Modern Culture," by Richard Sennett; "Light Touch," by Robert Whitman. [details]
Edited by Jeremy Gilbert-Rolfe, Rosalind Krauss, and Annette Michelson. Essays "Notes for a Film of Capital," by Sergei Eisenstein; "Reading Eisenstein Reading Capital," by Annette Michelson; "Film About a Woman Who. ... [details]
Edited by Jeremy Gilbert-Rolfe, Rosalind Krauss, and Annette Michelson. Essays "Fragments from the Rodin Museum," by Robert Morris; "Magnification and Other Writings on Film," by Jean Epstein; "Blue Poem for B. ... [details]
Edited by Rosalind Krauss, Annette Michelson, and Douglas Crimp. Essays "A Specter and Its Specter," by Annette Michelson; "Russian Diary 1927-28," by Alfred H. Barr, Jr.; "Gogol-Meyerhold's The Inspector-General," by A. ... [details]
Edited by Rosalind Krauss, Annette Michelson, and Douglas Crimp. Essays "Lecture... ," by Roland Barthes and Leo Bersani; "The Forms of Violence," by Ulysse Dutoit; "Sculpture in the Expanded Field," by Rosalind Krauss; "[f]rom Americans on the Move," by Laurie Anderson; "Stuart Sherman: Object Ritual," by Bérénice Reynaud; "Pictures," by Douglas Crimp; "Seven Prolegomenae to a Brief Treatise on Magrittian Tropes," by Jean Clair; "About Snow," by Annette Michelson. [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "The Duchamp Defense," by Hubert Damisch; "A Conversation about Glacial Deocy," by Trisha Brown and Yvonne Rainer; "A Portfolio of Photographs of Trisha Brown's Work," by Babette Mangolte; "The Function of the Studio," by Daniel Buren; "Preliminary Notes on the Pragmatic of Works: Daniel Buren," by Jean-François Lyotard; "Richard Serra's Films: An Interview," by Annette Michelson, Richard Serra, and Clara Weyergraf; "Vision in Process," by Birgit Pelzer; "Earthwords," by Craig Owens. [details]
