Issue 28 of the periodical October. Edited by Rosalind Krauss and Annette Michelson. Contents include: "To Situate Sublimation," by Jean Laplanche; "Sexuality and Aesthetics," by Leo Bersani; "Freud's Reflexive Realism," by Perry Meisel; "Transference: Letters and The Unknown Woman," by Joan Copjec; "Uncertainty," by François Roustang; "Italian Freud: Gramsci, Giulia Schucht, and Wild Analysis," by Jennifer Stone; and "Of Mimicry and Man: The Ambivalence of Colonial Discourse," by Homi Bhabha. [details]
Issue number 18 of the periodical October. Edited by Rosalind Krauss, Annette Michelson, Douglas Crimp, and Joan Copjec. Contents include: "Nausea and Noesis: Some Philosophical Problems for Sartre," by Arthur C. ... [details]
Edited by Rosalind Krauss, Annette Michelson, and Douglas Crimp. Essays "A Specter and Its Specter," by Annette Michelson; "Russian Diary 1927-28," by Alfred H. Barr, Jr.; "Gogol-Meyerhold's The Inspector-General," by A. ... [details]
Edited by Rosalind Krauss, Annette Michelson, and Douglas Crimp. Essays "Lecture... ," by Roland Barthes and Leo Bersani; "The Forms of Violence," by Ulysse Dutoit; "Sculpture in the Expanded Field," by Rosalind Krauss; "[f]rom Americans on the Move," by Laurie Anderson; "Stuart Sherman: Object Ritual," by Bérénice Reynaud; "Pictures," by Douglas Crimp; "Seven Prolegomenae to a Brief Treatise on Magrittian Tropes," by Jean Clair; "About Snow," by Annette Michelson. [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "The Duchamp Defense," by Hubert Damisch; "A Conversation about Glacial Deocy," by Trisha Brown and Yvonne Rainer; "A Portfolio of Photographs of Trisha Brown's Work," by Babette Mangolte; "The Function of the Studio," by Daniel Buren; "Preliminary Notes on the Pragmatic of Works: Daniel Buren," by Jean-François Lyotard; "Richard Serra's Films: An Interview," by Annette Michelson, Richard Serra, and Clara Weyergraf; "Vision in Process," by Birgit Pelzer; "Earthwords," by Craig Owens. [details]
Edited by Rosalind Krauss, Annette Michelson, Douglas Crimp, Craig Owens, David Deitcher, and Lawanda Still. Essays "Observations on the Long Take What Is Neo-Zhdanovism and What Is Not," by Pier Paolo Pasolini; "Pasolini: Murder of a Dissident," by Maria-Antonietta Macciocchi; "Merde Alors," by Leo Bersani and Ulysse Dutoit; "Poststructuralism and the "Paraliterary," " by Rosalind Krauss; "On the Museum's Ruins," by Douglas Crimp; "The Allegorical Impulse: Toward a Theory of Postmodernism (Part 2)," by Craig Owens; "Against Intellectual Complexity in Music," by Michael Nyman; " "Son of a Bitch": Feminism, Humanism, and Science in Alien," by James H. ... [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "An Introduction to the Notebook of Maya Deren, 1947," by Catrina Neiman; "An Exchange of Letters," by Maya Deren and Gregory Bateson; "From the Notebook of 1947," by Maya Deren; "On Reading Deren's Notebook," by Annette Michelson; "Letters from Mexico," by Sergei Eisenstein; "Bayreuth: The Centennial Ring," by Annette Michelson; "Chéreau's Treachery," by Jean-Jacques Nattiez and Pierre Boulez; "A Conversation," by Michel Fano. [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "Film Review from Sur," by Jorge Luis Borges; "Reading Delacroix's Journal," by Hubert Damisch; "Nebula, The Powered Sugar Princess," by Joseph Cornell; "Silently, by Means of a Flashing Light," by Thomas Lawson; "The New Adventures of the Avant-Garde in America," by Serge Guilbaut; "The Significance of Literature: The Importance of Being Earnest," by Joel Fineman; "The Photographic Activity of Postmodernism," by Douglas Crimp; "Jump over the Bauhaus," by Rosalind Krauss. [details]
Edited by Rosalind Krauss, Annette Michelson, and Douglas Crimp. Essays "In the Name of Picasso," by Rosalind Krauss; "The Holy Alliance: Populism and Feminism," by Clara Weyergraf; "Art and Authoritarianism: Walter De Maria's Lightning Field," by John Beardsley; "Figures of Authority, Ciphers of Regression," by Benjamin H. ... [details]
Edited by Rosalind Krauss and Annette Michelson. Essays "The Photographic Conditions of Surrealism," by Rosalind Krauss; "New Translations of Flowers of Evil," by Richard Howard; "Velázquez' Las Meninas," by Leo Steinberg; "Notes on the Reemergence of Allegory, the Forgetting of Modernism, the Necessity of Rhetoric, and the Conditions of Publicity in Art and Criticism," by Stephen Melville; "Ryman's Tact," by Yve-Alain Bois; "The New French Culture: An Interview with Guy Hocquenghem," by Douglas Crimp. [details]
