Exhibition catalogue by Jeremy Cooper published in conjunction with show held February 7 - August 4, 2019. Introduction and additional text by Jeremy Cooper. Includes notes, further reading and acknowledgements, list of illustration references, picture credits, and an index. ... [details]
Rosalind Krauss discusses the work of artist, Marcel Broodthaers in relation to artistic mediums in what she refers to as the contemporary state of "post-medium" visual art. Includes images interspersed within texts by Krauss and Broodthaers with a preface written by Benjamin Buchloh. [details]
Rosalind Krauss discusses the work of the artist Marcel Broodthaers in relation to artistic mediums in what she refers to as the contemporary state of "post-medium" visual art. Includes images interspersed within texts by Krauss and Broodthaers with a preface written by Benjamin Buchloh. [details]
"By the end of the 1960s, defiance of traditional art values reflected the demand for social, political and cultural transformation. This book provides the first detailed and authoritative account of artists and works that challenged received ideas about painting and sculpture by embracing alternative procedures and media. ... [details]
Exhibition catalogue for show held April 1 - July 29, 2001. Public Offerings, curated by Paul Schimmel, presented breakthrough works by 25 young artists, all graduates of leading art schools in Los Angeles, New York, Berlin, London, and Tokyo. ... [details]
4 Volume box set of the complete paintings by Edvard Munch. Volumes ordered chronologically : Vol. 1, 1880 - 1897; Vol. II, 1898 - 1908; Vol. 3 19009 - 1920; and Vol. 4, 1921 - 1944. Organized and edited by Gerd Woll. ... [details]
Exhibition catalogue published in conjunction with show held at El Museo del Barrio, New York City, April 28 - September 8, 2002. Essays by Anthony White, Robert R. Littman, Brian Kennedy, Gregory O'Brien, and Barry Carr. ... [details]
"The enormous popularity of Impressionist painting today belies what the group of painters dubbed Impressionists stood for. During the 1870s and 1880s, a loose group of French artists, including Pissarro, Monet, and Renoir, adopted a style of painting and subject matter that challenged the canonical art promoted by the French Academy and the Salons The revolutionary nature of Impressionism emerged from anarchism and political radicalism, from a belief in science and individualism, creating a view of art true to modern life and to immediate visual perception. ... [details]
Exhibition catalogue published in conjunction with show held at the Art Institute of Chicago, September 22, 2001 - January 13, 2002. Traveled to the Van Gogh Museum, Amsterdam, February 9 - June 2, 2002. ... [details]
Exhibition catalogue published in conjunction with show held February 8 - April 22, 2001. Organized by Paola Antonelli. Text by Paola Antonelli, Laura Keeley, Christopher Budd, John Thackara, Aura Oslapas, Kayoko Ota, Jim-hee Chang, Hui-Chi Chou, and Rachaporn Chouchouey. ... [details]
