Edited by Tod Lippy. Essays "Artist's Project: Mark Keffer: Form and function merge in a series of altered maps (Throughout the issue)," by Mark Keffer; "Mumushka: A child's memories of her beloved grandmother, refracted through the prism of a rich imagination," written and illustrated by Andrea Dezso; "Known By Sight: Marvin Lazarus, Photographer: Compelling portraits-in words and images-of prominent artists by a nearly forgotten figure," photographs and journal excerpts by Marvin Lazarus; "Homemade: An Interview with the Wrens: The band's album The Meadowlands is a masterpiece; here, they discuss its making (and their near undoing)," by Tod Lippy; "Alex Shear's Object Lesson #3: (Poster)," by unattributed artists; "Tricks of the Trade: Recovered from a Santa Monica yard sale, this issue's found object is an entertainer's gag book from 1957," by Michael Rohatyn; "Artist's Project: Jenny Holzer: These recently declassified "Memoranda," selected by the artist, must see the light of day," by unattributed artists; "The Sissy Letters (#2): Second in a continuing series of monologues written for Esopus," by Stephen Adly Guirgis; "100 Frames: Bruce Conner's Breakaway: An ethereal sequence from the San Francisco artist's classic experimental film from 1966," by Doug Aitken; "Means Without End: We asked your publicists to devise PR strategies for Esopus; we've published the results," by Sloane Crosley, John Melick, Baldev Kaur, and Graham Leggat; "Angus Trumble's 1849 in Retrospect: One year. One page, (A regular feature)," by unattributed artists; "Esopus CD #3: Product Displacement: Ten Musicians "embed" ad jingles or slogans in original songs." Songs "Map," by Scott McCloud; "Order in the Nothingness," by El May; "Only the Loveliest," by Sonic Boom & Delia Derbyshire; "B-Flat Blues," by Connie MacNamee; "Love and Laughter," by Jad Fair; "The Right Thing," by David Naugle & Joy Howard; "Raw from Self-Destruction..." by The Baptist Generals; "Don't Leave Home," by The New Black; "When You Return," by Western Keys; "The Whole Thing," by Alan Licht.