Fall 1982 issue of Journal, edited by Michael Delgado. Contents include: "On Pictures and Meaning," by John Brumfield; "On Number Time and Emotion," by John Whitney; "Defining the Avant-Garge," by Richard Hertz; "Art with a Capital "A" and Television Executives," by Michael Delgado; "The Art Economist," by Ken Friedman; "Bauhaus Brochure," by unattributed artists; "The Open Road of Risk: George Herms, Wallace Berman, the Beats, and West Coast Visionary Poetics," by Robert L. Pincus; "The Figurative Style of the Early Sixties: Brice, Lebrun, Warshaw," by Michael Kohn; "The Psychobiological Imperative," by Marilyn Ekdahl Ravicz; "Artist Pages," by Roger Herman, Jacobus Bos, and "My Parents in German," by Jim Morris; "Colson's Corner," by unattributed artists. Cover art "Molecule Men" by Jonathan Borofsky.