Editorial collective for "Third World Women: The Politics of Being Other," issue of Heresies: Lula Mae Blocton, Yvonne Flowers, Valerie Harris, Zarina Hashmi, Virginia Jaramillo, Dawn Russell, Naeemah Shabazz. Essays "Criticism/or/Between the Lines," by Howardena Pindell; "Untitled," by Gloria Rayl; "The Dilemma of the Modern Chicana Artist and Critic," by Marcella Trujillo; "Poem," by Gloria Jaramillo-Trout; "Human Word, Sacred Word," by Diana Bellesi; Translated by Tona Wilson; "Painter's Chant," by Jaune Quick-to-See Smith; "A Photo Essay on the People's Republic of China," by Vivian E. Browne; "Power Exchange 1: Chris Choy," by Valerie Harris; "Some Reflections on Black Women in Film," by Rosemari Mealy; "On Never Quite Being Good Enough: Legal Instituitional Racism, Sexism and Elistism," by Yvonne A. Flowers; "Friends of Mabel Hampton"; "Homophobia: Myths and Realities," by Naeemah Shabazz; "No More Apples for Me, Thank You," Magdalena Suarez Frimkess; "Political Self-Portrait #2," by Adrian Piper; "Without Consent"; "So Many Feathers," by Jayne Cortez; "Power Exchange 2: Barbara Ann Teer," by Valerie Harris; "A Note on the Woman's Building and Black Exclusion," by Erlene Stetson; "Wall Fragment/Ga," by Beverly Buchanan; "Against Granite," by Michelle Cliff; "Three Views of Black Women - The Myths, the Statistics, and a Personal Statement," by Julianne Malveaux; "Canvas with an Unpainted Part," by Li-Lan; "And Black Women Made Music," by Eleanor Smith; "Music Is My Lover (for Ntozake Shange)," by Sandra Maria Esteves, "The Other Porfolio," by Emmi Whitehorse, Virginia Jaramillo, Lula Mae Blocton, Zarina, Ann Page, Li-Lan; "Black Women and Work: My Experiences," by Dawn Russell; "Seamstress on Line," by Katherine Odoms; "Maria," by Barbara Sheen; "Remember: Letter to a Young Indian Poet," by Joy Harjo; "Power Exchange 3: Suni Paz," by Valerie Harris; "Three Generations," by Yolanda M. Lopez; "Patchwork," by Phyllis Thompson; "Inmate Mothers and Their Children," by Barbara Swartz; "Incarceration #2," by Mario Lino; "The Imposter," by Suzana Cabañas; "Silueta Series," by Ana Mendieta; "Concentration Camps in the U.S.A.," by Motoko Ikeda-Spiegel; "The Alien," by Katherine Hall; "Black Eyed Blues Connections: From the Inside Out," by Michele Russell; "Four Women in a Storm," by Betye Saar; "Visit to the Dentist: Dialectics," by Myrtha Chabrán; "Visual," by Martha Cochrane; "Action Against Racism in the Arts"; "Need," by Audre Lorde; "Power Exchange 4: Camille Billops," by Valerie Harris; "Women and Census Form"; "Isabela," by Amina Muñoz. Includes notes on contribuotrs and other reading sources.